Visual Materials
Moore and Draper families photograph collection
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Moore and Draper families photograph collection
Visual Materials
A collection of 21 photographs and 1 oil painting on cardboard related to the Moore and Draper families and the family business, the Moore & Draper grocery store, in late-19th century Los Angeles. The store is seen in one photograph showing a large wooden building with a sign and Moore, Draper, and others standing in front. There are three images of family members in front of houses in Los Angeles: a bungalow at 4109 S. Figueroa, and a house at 4735 Compton Avenue, taken on Thanksgiving, 1903. The portraits are by a variety of early Los Angeles photographers including F. C. Dando of the Lamson Studio; James D. Westervelt; Lawrence & Son, Excelsior Gallery, Downey Block; Lorenz; and James B. Blanchard. Portrait sitters include: Henry A. and Phoebe Moore and their son Eugene; Durell Draper; Henry and Emma Draper; Kitty Draper; Warren C. Waite (Phoebe's brother) and his family in Chillicothe, Missouri; Minnie Waite Stowell; and members of the Washburn, Crockett and Davies families. The nonprofessional oil painting is a portrait of Joseph Clark Waite.
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Mr. & Mrs. Draper with S. Draper's double Uncle Tom's Cabin Co
Visual Materials
Image of bust-length portraits of Mr. and Mrs. Draper in oval frames with three large dogs and a log cabin visible in background.
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Bullock's Department Store Collection of Photographs
Visual Materials
The Bullock's Department Store Collection consists of 680 photographs and 29 glass plate negatives related to the Los Angeles, California-based department store between 1905 and 1971 (bulk 1912-1945), as well as 2 boxes of ephemera related to Bullock's publicity and events between 1915 and 1952. The materials focus primarily on the retail spaces, displays, departments, and employees at the downtown Los Angeles store once located at Broadway, 7th, and Hill Streets. The collection is the remnant of (what seems to have been) a larger archive of albums assembled and annotated in-house to document the various functions associated with the store. As such, the photographs depict every aspect of the store's workings including: the full range of departments, many shown with thematic decorations for holidays and special events; window displays; store merchandising; employee activities and gatherings such as dances, holiday parties, Easter worship services and group portraits; children's parties and parades; advertising billboards; the August sales event and crowds; and construction scenes from 1912 and 1928. The collection is particularly strong in its documentation of the store's window displays and merchandising efforts. There are also many pictures of mannequins dressed in the latest fashions for men, women, and children. The World War II home front effort is a theme that occurs throughout the collection in various display motifs and in employee events. Many photographs depict the store's workforce including female sales clerks, male cooks and security guards, and African American employees in various capacities. Eight pictures at the end of Volume 9 depict Bullock's branch locations including the famed Bullock's Wilshire store. Volume 11 contains promotional and ephemeral materials from 1948 through 1952 associated with the Bullock's Wilshire store. Photographers represented in the collection include Warren Bowen Studios; Brown and Warrington; duBois Photo Co.; Frank C. Elliott; Jim England; Graham Photo; Keystone Photo; J.C. Milligan; Ernest Pratt; Otto Rothschild; Stagg Photography; Art Streib; "Dick" Whittington Studio; Whitland Locke Commercial Photography; and Witzel Photo.
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Banning Family Collection of Photographs, Part I
Visual Materials
The Banning Family Collection of Photographs, Part I, contains photographs, glass plate negatives, and one scrapbook collected by the Banning Family of Southern California and depicting various family members and friends and family properties (residential and commercial), with an emphasis on Wilmington and Santa Catalina Island, California. Items date from 1855 to 1979 (bulk 1880s-1910s) and consist of 996 black-and-white photographs, 82 glass-plate negatives (5 x 7 inches and 5 x 8 inches), and 1 scrapbook. This finding aid describes the collection both as a box list and according to subject. The first section of the subject list contains portraits and snapshots of a number of Banning family members, including: Phineas Banning; "Captain" William Banning; Hancock Banning, Sr.; Joseph Brent Banning, Jr.; Katharine Mary Banning; Joseph Brent Banning, Sr.; William Phineas Banning; Hancock Banning, Jr.; Mrs. Anne (Hancock) Banning; William Lowber Banning; and Katharine Stewart Banning. The most numerous are those of "Captain" Banning and Hancock Banning, Sr. Among these are photographs of "Captain" Banning and his various carriages and stagecoaches (including his "six-in-hand" featured at La Fiesta de Los Angeles in 1895 and at Yosemite National Park, the "Captain" and Will Rogers atop a stagecoach, and the "Captain" and Philip K. Wrigley atop a stagecoach); and photographs of Hancock Banning at Bohemian Grove gatherings. Family portraits are followed by images of various Banning residences, with an emphasis on the house in Wilmington, California; and views of Wilmington and San Pedro, California, with many early views of these communities and many views of Banning properties. Following the family images are views of Santa Catalina Island. These images document the development of the island from a natural enclave with few inhabitants to a thriving tourist resort. Included are views of Avalon, from its beginnings as a tent city to a fully developed tourist destination; the Isthmus; the fire at Avalon in 1915; Arch Rock and Sugar Loaf; roads and road construction at various sites on the island; El Descanso, the home of Hancock Banning and later the site of the Hotel St. Catherine (also depicted in this section); the incline cable car; Middle Ranch; rock quarries; stage roads and stagecoaches, including the Santa Catalina Island Stage Company; and various ships, steamers, and glass bottom boats. The next section depicts Banning family friends. Depicted are members of the Vail family (including Walter Vail); the Patton family and their home, Lake Vineyard, in San Marino, California; the Ayer family; and a portrait of Howard Huntington and his family. The final two sections described contain miscellaneous images: miscellaneous individuals (such as Christine Mueller, daughter of William Banning's shipbuilder, William Mueller, and Thaddeus Lowe in a Mount Lowe incline railway cable car); various ships and boats; and views of Long Beach. Many photos have annotations (often anecdotal) by Hancock Banning, Jr., on the verso. Photographers represented in the collection include G.O. Ayer, Boston; Joseph Brent Banning; Boye; Bradley and Rulofson; E.M. Brickey; Henry H. Buehman, Tucson; Detroit Photographic Company; George N. Dewey, Los Angeles; Ida M. Essery, St. Paul; Hervey Friend; William H. Godfrey; A.C. Golsh; Lola L. Huddleston; Truman W. Ingersoll, St. Paul; Charles Ironmonger; Keystone Photo Service; Theodore Marceau, San Francisco; Frank L. Park; J.R. Putnam; Putnam and Valentine; P.V. Reyes; Frank G. Schumacher; Silas Selleck, San Francisco; Stagg Photography; George Steckel; Noren F. Swenson; Isaiah W. Taber; Louis Thors, San Francisco; C.B. Waite; James D. Westervelt; Charles A. Zimmerman, St. Paul. The collection also contains some ephemeral materials, primarily notes penned by Hancock Banning, Jr. These materials have been preservation photocopied, the copies inserted into the collection, and the originals filed in Box 8.
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W.H. Fletcher photograph collection
Visual Materials
Collection of 53 glass plate negatives and corresponding copy prints by photographer W.H. Fletcher of views in Southern California during a period of industrial expansion and population growth primarily in the late 1800s. The images chiefly depict downtown Los Angeles, San Pedro and Terminal Island, and Long Beach. The views of Los Angeles include commercial streets and storefronts, construction sites including the building for Hamburgers Department Store (circa 1907), Main Street and the Church of Our Lady, and views of the town from 5th and Beaudry. The views of San Pedro and Terminal Island include the town of San Pedro, the harbor and docks with moored ships, and the hotel and bathhouse on Terminal Island. The views of Long Beach include the pier and beach, commercial streets and storefronts and residences. In addition there is a view of a miner washing gold in San Gabriel Canyon (Item 48); rural Duarte (Item 49); a street in Pomona (Item 50); a street in Riverside (Item 51); a view of the Point Fermin lighthouse (Item 52); and a view of oak trees (Item 53).
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Leonard J. Rose Family Photograph Collection
Visual Materials
The collection consists of 152 photographs of the family of Leonard John Rose (1827-1899); the Rose family ranch and vineyard, "Sunny Slope," in San Gabriel, California; residences; and horses owned by the Rose family, chiefly dating from the late 19th century. An earlier archivist divided the collection into "volumes" 1 and 2, though the photographs in "volume 1" are loose. Only volume 2, Items 1-35, are bound in an album. The prints range from late 19th-century cabinet cards to copy prints of 19th century photographs. The latest photographs are two 1979 color snapshots of Mrs. John Gallagher, and among the earliest images is a reproduction of a portrait of L. J. and Amanda Rose on their wedding day, ca. 1850 (Volume 2, Item 7). Many of the photographs are cabinet card studio portraits of family members, especially the children of L.J. and Amanda Rose, including Nina Rose Wachtel (and her husband John V. Wachtel), Guy Rose, Mabel Rose Dixon, Maud Rose Easton. Many of the card photographs have imprints of Los Angeles photography studios including Steckel & Lamson and T.G. Schumacher. Among the photographs of the Sunny Slope Farm are stereographs by W.M. Godfrey (Volume 1, Items 13a and 14-14a) and stereographs and unmounted prints by Carleton Watkins (Album 1, Items 17-29 and 75 and 76). Notably, there are three photographs of interiors of the Rose residence on Grand Avenue in Los Angeles, which include displays of the types of card photographs included in this collection (see Volume 1, Items 48 and 50, and Volume 2, Item 49).
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