Visual Materials
Moore and Draper families photograph collection
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Moore and Draper families photograph collection
Visual Materials
A collection of 21 photographs and 1 oil painting on cardboard related to the Moore and Draper families and the family business, the Moore & Draper grocery store, in late-19th century Los Angeles. The store is seen in one photograph showing a large wooden building with a sign and Moore, Draper, and others standing in front. There are three images of family members in front of houses in Los Angeles: a bungalow at 4109 S. Figueroa, and a house at 4735 Compton Avenue, taken on Thanksgiving, 1903. The portraits are by a variety of early Los Angeles photographers including F. C. Dando of the Lamson Studio; James D. Westervelt; Lawrence & Son, Excelsior Gallery, Downey Block; Lorenz; and James B. Blanchard. Portrait sitters include: Henry A. and Phoebe Moore and their son Eugene; Durell Draper; Henry and Emma Draper; Kitty Draper; Warren C. Waite (Phoebe's brother) and his family in Chillicothe, Missouri; Minnie Waite Stowell; and members of the Washburn, Crockett and Davies families. The nonprofessional oil painting is a portrait of Joseph Clark Waite.
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Mr. & Mrs. Draper with S. Draper's double Uncle Tom's Cabin Co
Visual Materials
Image of bust-length portraits of Mr. and Mrs. Draper in oval frames with three large dogs and a log cabin visible in background.
priJLC_ENT_004753
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Henry DRAPER Medal [37]
Additional Formats
[letters & ballots to other members of the Draper Fund Committee (J. A. Fleming, W. S. Adams, P. W. Merrill, & H. N. Russell) of the National Academy of Sciences, concerning the awarding of the Draper Medal for 1949. 1 letter has been altered to reflect changes for the 1951 award. Also, 1 ltr Eva G. Rosensteal to ISB; 1 ltr F. E. Wright to ISB]
Bowen
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Bullock's Department Store Collection of Photographs
Visual Materials
The Bullock's Department Store Collection consists of 680 photographs and 29 glass plate negatives related to the Los Angeles, California-based department store between 1905 and 1971 (bulk 1912-1945), as well as 2 boxes of ephemera related to Bullock's publicity and events between 1915 and 1952. The materials focus primarily on the retail spaces, displays, departments, and employees at the downtown Los Angeles store once located at Broadway, 7th, and Hill Streets. The collection is the remnant of (what seems to have been) a larger archive of albums assembled and annotated in-house to document the various functions associated with the store. As such, the photographs depict every aspect of the store's workings including: the full range of departments, many shown with thematic decorations for holidays and special events; window displays; store merchandising; employee activities and gatherings such as dances, holiday parties, Easter worship services and group portraits; children's parties and parades; advertising billboards; the August sales event and crowds; and construction scenes from 1912 and 1928. The collection is particularly strong in its documentation of the store's window displays and merchandising efforts. There are also many pictures of mannequins dressed in the latest fashions for men, women, and children. The World War II home front effort is a theme that occurs throughout the collection in various display motifs and in employee events. Many photographs depict the store's workforce including female sales clerks, male cooks and security guards, and African American employees in various capacities. Eight pictures at the end of Volume 9 depict Bullock's branch locations including the famed Bullock's Wilshire store. Volume 11 contains promotional and ephemeral materials from 1948 through 1952 associated with the Bullock's Wilshire store. Photographers represented in the collection include Warren Bowen Studios; Brown and Warrington; duBois Photo Co.; Frank C. Elliott; Jim England; Graham Photo; Keystone Photo; J.C. Milligan; Ernest Pratt; Otto Rothschild; Stagg Photography; Art Streib; "Dick" Whittington Studio; Whitland Locke Commercial Photography; and Witzel Photo.
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Henry DRAPER Fund/Medal [16]
Additional Formats
[incl ltrs among Draper Fund Committee members: Otto Struve; Henry Norris Russell ; John A. Fleming. Also ltrs of Louis G. Henyey. Solely about Henyey's grant application to DF, not the Medal.]
Bowen
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Banning Family Collection of Photographs, Part I
Visual Materials
The Banning Family Collection of Photographs, Part I, contains photographs, glass plate negatives, and one scrapbook collected by the Banning Family of Southern California and depicting various family members and friends and family properties (residential and commercial), with an emphasis on Wilmington and Santa Catalina Island, California. Items date from 1855 to 1979 (bulk 1880s-1910s) and consist of 996 black-and-white photographs, 82 glass-plate negatives (5 x 7 inches and 5 x 8 inches), and 1 scrapbook. This finding aid describes the collection both as a box list and according to subject. The first section of the subject list contains portraits and snapshots of a number of Banning family members, including: Phineas Banning; "Captain" William Banning; Hancock Banning, Sr.; Joseph Brent Banning, Jr.; Katharine Mary Banning; Joseph Brent Banning, Sr.; William Phineas Banning; Hancock Banning, Jr.; Mrs. Anne (Hancock) Banning; William Lowber Banning; and Katharine Stewart Banning. The most numerous are those of "Captain" Banning and Hancock Banning, Sr. Among these are photographs of "Captain" Banning and his various carriages and stagecoaches (including his "six-in-hand" featured at La Fiesta de Los Angeles in 1895 and at Yosemite National Park, the "Captain" and Will Rogers atop a stagecoach, and the "Captain" and Philip K. Wrigley atop a stagecoach); and photographs of Hancock Banning at Bohemian Grove gatherings. Family portraits are followed by images of various Banning residences, with an emphasis on the house in Wilmington, California; and views of Wilmington and San Pedro, California, with many early views of these communities and many views of Banning properties. Following the family images are views of Santa Catalina Island. These images document the development of the island from a natural enclave with few inhabitants to a thriving tourist resort. Included are views of Avalon, from its beginnings as a tent city to a fully developed tourist destination; the Isthmus; the fire at Avalon in 1915; Arch Rock and Sugar Loaf; roads and road construction at various sites on the island; El Descanso, the home of Hancock Banning and later the site of the Hotel St. Catherine (also depicted in this section); the incline cable car; Middle Ranch; rock quarries; stage roads and stagecoaches, including the Santa Catalina Island Stage Company; and various ships, steamers, and glass bottom boats. The next section depicts Banning family friends. Depicted are members of the Vail family (including Walter Vail); the Patton family and their home, Lake Vineyard, in San Marino, California; the Ayer family; and a portrait of Howard Huntington and his family. The final two sections described contain miscellaneous images: miscellaneous individuals (such as Christine Mueller, daughter of William Banning's shipbuilder, William Mueller, and Thaddeus Lowe in a Mount Lowe incline railway cable car); various ships and boats; and views of Long Beach. Many photos have annotations (often anecdotal) by Hancock Banning, Jr., on the verso. Photographers represented in the collection include G.O. Ayer, Boston; Joseph Brent Banning; Boye; Bradley and Rulofson; E.M. Brickey; Henry H. Buehman, Tucson; Detroit Photographic Company; George N. Dewey, Los Angeles; Ida M. Essery, St. Paul; Hervey Friend; William H. Godfrey; A.C. Golsh; Lola L. Huddleston; Truman W. Ingersoll, St. Paul; Charles Ironmonger; Keystone Photo Service; Theodore Marceau, San Francisco; Frank L. Park; J.R. Putnam; Putnam and Valentine; P.V. Reyes; Frank G. Schumacher; Silas Selleck, San Francisco; Stagg Photography; George Steckel; Noren F. Swenson; Isaiah W. Taber; Louis Thors, San Francisco; C.B. Waite; James D. Westervelt; Charles A. Zimmerman, St. Paul. The collection also contains some ephemeral materials, primarily notes penned by Hancock Banning, Jr. These materials have been preservation photocopied, the copies inserted into the collection, and the originals filed in Box 8.
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