Visual Materials
Studio portrait photographs annotated by Olive Percival
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Studio portrait photographs annotated by Olive Percival
Visual Materials
Sitters include: Florence Dunham; Frederick Russell Burnham; Princess Philip of Saxe Coburg; H.M. Queen of the Belgians; Theodore Parker; William Cullen Bryant; Lucretia Mott; H.I.M. The Empress Frederick; E.M. Fowler.
photCL 217
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Studio portrait photographs annotated by Olive Percival
Visual Materials
Sitters include: James Matthew Barrie; Julia Bracken Wendt; Kate Fowler; Mary L. Jones; Margaret Fowler; Jordon Lummis; Rachel Burer; Elizabeth Waggoner.
photCL 217
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Olive Percival Collection of Photographs
Visual Materials
The Olive Percival Collection of Photographs contains approximately 875 photographs of California and Mexico, chiefly cyanotype snapshots and gelatin silver prints of locations in Los Angeles and environs and Mexico City, taken chiefly by Olive Percival (1869-1945) from approximately 1880-1941; many of the photographs contain captions written on versos by Percival. The photographs of California depict San Pedro scenes including fishing shacks, boats, and squatters' huts on Terminal Island and East San Pedro; Chinatowns in Los Angeles and San Francisco, including street scenes and images of the first Fiesta de Los Angeles (1894) and the Feast of the Dead in Los Angeles (1902); exterior and interior views of Percival's home, collections, and garden, including many photographs with captions identifying particular plants; and cemeteries in Los Angeles, including the Calvary Cemetery, the Fort Hill Cemetery, and the San Gabriel Mission Cemetery. The collection also includes two sepia portraits of Percival as a young woman, one dated 1895 (Items 754-755); one photograph of Percival with her mother (Item 753); images of Indian basket collections that she used in writing articles (photPF 3940-3945); and photographs depicting various people and locations, chiefly in Los Angeles and environs, taken by Percival and by commercial photographers, including a set of studio portraits featuring various sitters. Photographs of Mexico depict various views of Mexico City, including the Flower Market, the Thieves' Market, the market at Viga Canal, and others; the Mexico City Cathedral and various other buildings; and street and courtyard scenes. Photographs depicting other areas of Mexico include views of churches, rural scenes, and images of various towns and regions including Juarez; Toluca; Guadalupe; Teotihuacan, including images from journeys to the Pyramid of the the Sun and Pyramid of the Moon; Tocuba; Vera Cruz; Texcoco; Tlaxcola; and other locations.
photCL 217
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Studio and other portrait photographs
Visual Materials
The Olive Percival Collection of Photographs contains approximately 875 photographs of California and Mexico, chiefly cyanotype snapshots and gelatin silver prints of locations in Los Angeles and environs and Mexico City, taken chiefly by Olive Percival (1869-1945) from approximately 1880-1941; many of the photographs contain captions written on versos by Percival. The photographs of California depict San Pedro scenes; Chinatowns in Los Angeles and San Francisco; exterior and interior views of Percival's home, collections, and garden; and cemeteries in Los Angeles. The collection also includes two sepia portraits of Percival as a young woman; one photograph of Percival with her mother; images of Indian basket collections that she used in writing articles; and photographs depicting various people and locations, chiefly in Los Angeles and environs, taken by Percival and by commercial photographers, including a set of studio portraits featuring various sitters. Photographs of Mexico depict various views of Mexico City and other areas of Mexico, including Juarez; Toluca; Guadalupe; Teotihuacan; Tocuba; Vera Cruz; Texcoco; Tlaxcola; and other locations.
photCL 217
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Historical Society of Southern California Collection of Portrait Photographs
Visual Materials
This collection consists of 809 photographs of individual and group portraits, dating from circa 1850s-1997 (bulk 1860s-1930s), that formed part of the Historical Society of Southern California Photo Archives. It is a reference collection and includes images of both prominent and lesser-known Los Angeles and Southern California figures from both the 19th and 20th centuries. The collection contains images in a variety of formats that were created by a number of well-known California photographers. These include James B. Blanchard, Boyé, Curtis Studios, George N. Dewey, Edouart and Son, Garden City Foto Co., William M. Godfrey, A.C. Golsh, Hayward and Muzzall, Fred Hartsook, Hiller and Mott, Theodore C. Marceau, Francis Parker (as Parker and Co., Parker and Hasselman, and Parker's Photographic Parlors), Payne Stanton and Co., Henri Penelon, Steve A. Rendall, Frank G. Schumacher, William Shew, John Pitcher Spooner, George Steckel, Isaiah West Taber, William Nutting Tuttle (as Tuttle and Lee, and Tuttle and Co.), O.E. Tyler, Davidson Roby Weaver, Michael A. Wesner, James D. Westervelt (also in partnership with Charles J. Coules), and Valentin Wolfenstein. The Griggs portraits depict young women in various settings; the Kathryn Murdoch gift is primarily of album pages with snapshots of local sites in Los Angeles.
photCL 400 volume 31
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"Dick" Whittington Studio Collection of Negatives and Photographs
Visual Materials
The collection consists of 70 panoramic negatives, 3207 copy prints, and corresponding negatives and interpositives, covering the years 1924-1948, that were created by the "Dick" Whittington Studio of Los Angeles, California. The images depict specific places, businesses, and commercial activity in both central and southern California, with the emphasis on Los Angeles County. The collection provides a broad overview of the commercial landscape of the area during the first half of the twentieth century. In addition, there is also a tape measure produced by the studio in the 1950s. The 70 panoramic negatives depict undeveloped and newly developed areas of Los Angeles, including Pacific Palisades, Santa Monica, and Alhambra; views of Lido Isle in Newport; and Republic Studios in Studio City. There are also images of Los Angeles industries, including film and automotive, as well as specific locations, such as the Hollywood Bowl, and events, such as swimming events during the 1932 Olympics. The first part of the collection of copy prints depicts specific towns, businesses, street scenes and landscapes in central and southern California, specifically El Dorado, Inyo, and Nevada Counties, Lake Tahoe, Kern, Tulare, San Luis Obispo, Santa Barbara, Ventura, Orange, Riverside, San Bernardino, San Diego, and Imperial Counties, Mexico, and Los Angeles County. The bulk of these images depict Ventura, Orange, Riverside, San Bernardino, San Diego, and Los Angeles Counties. The Ventura County images concentrate on Port Hueneme. The Orange County images depict Fullerton, Santa Ana, Anaheim, Laguna Beach, Capistrano Beach, Balboa and Newport Beach, and Lido Isle. In Riverside County, the images depict Lake Elsinore, Perris, Corona, the Sherman Institute, Riverside, Norco, Palm Springs, San Jacinto, Hemet, and a number of hot springs. The San Bernardino images depict Twentynine Palms, Fontana, Chino, Ontario, San Bernardino, Big Bear and Lake Arrowhead. In San Diego County, images depict Mount Helix, La Mesa, El Cajon, Alpine, Pine Valley, Descanso, Lakeside, Ramona, Escondido, Vista, Rancho San Luis Rey, Bonsall, Tahiti Beach, Del Mar, Solana Beach, La Jolla, Casa de Manana, the San Diego Fairgrounds, and Boulder. Los Angeles County images form the bulk of this section. Images of the San Gabriel Valley and nearby areas depict Flintridge, Altadena, Monrovia, Glendora, Azusa, East Los Angeles, Montebello, Whittier, the Pio Pico Adobe, Santa Fe Springs, Downey, Norwalk, Bellflower, El Monte, Baldwin Park, Covina, the Pomona Fairgrounds, San Marino, Pasadena, Sierra Madre, Alhambra, El Sereno, San Gabriel, Monterey Park, Arcadia, and Santa Anita. Images of Los Angeles beach communities include Long Beach, San Pedro and Fish Harbor, Palos Verdes and Rancho Palos Verdes, Redondo Beach, Hermosa Beach, Manhattan Beach, Playa del Rey, Venice, Santa Monica and coastal areas. The collection also depicts West Los Angeles, specifically Westwood and the University of California, Los Angeles, Bel Air, and Brentwood. Central, East and South Los Angeles are represented by images of Hollywood, Los Feliz, Culver City, Leimert Park, Baldwin Hills, Inglewood, View Park, Hawthorne, Westchester, and Gardena. The San Fernando Valley images depict Woodland Hills, Encino, Sherman Oaks, North Hollywood, and Studio City. Also present in the collection are images of specific locations within Los Angeles proper (such as the Los Angeles riverbed, the Farmer's Market and Gilmore Stadium, Olvera Street, Los Angeles theaters, hospitals and businesses, City Hall, the Los Angeles Public Library, the Los Angeles Times Building under construction, Memorial Coliseum and the Olympic pool, and the Pan-Pacific Auditorium). Of particular note are the series of photographs that depict new housing tracts (Midwick View Estates, Rolling Knolls, Rolling Hills Estates, Beverly Wood), Wilshire Boulevard from Westlake to Western Avenues, the business district around La Brea Avenue and Wilshire Boulevard, and the construction of the Federal Building and Post Office in central Los Angeles. The collection also contains images arranged by subject. These include photographs of advertising (signs, billboards and displays); radio and television communications; clubs; people; transportation (including Los Angeles Railway cars and Union Station); industries (food processing, fruits, water, rubber, steel, quarries, entertainment, and miscellaneous); construction (dams and aqueducts, housing); recreation; circuses; police and fire; cemeteries, charities and relief; religion; photography and photographers; World War II effort; medical; ranches; automobiles; trucks; buses; motorcycles; automobile dealerships and used car lots; racing cars; races; National Auto School; and aviation. Of particular note are the series of photographs depicting tire production by Goodyear; the interior of the Bethlehem Steel Plant; the construction of the Metropolitan aqueduct and Parker Dam; the construction of Boulder (now Hoover) Dam; assembly lines in Ford, Plymouth, Studebaker, and Willys-Knight plants; photographs of Amelia Earhart, Howard Hughes, and other aviators; images of the Douglas Aircraft plant; Timm Aircraft plastic plane construction; and images of the Vultee production facilities and airplanes. All copy photographs have identification information and Whittington numbers on verso; some have client information. Some images exist in duplicate.
photCL Whitt