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Looking northeast from upper end of Valley of Fire. Our cars are parked behind the monument, in the shade, where we ate. Monument and ridge to left of solid pink strata - valley floor and ridges to right are the usual greyish color. Our road we came in on is in the foreground. 1925

Description
This collection contains photographs of Elizabeth Compton Hegemann's travels through the Navajo Indian Reservation and the Grand Canyon from 1922 to 1934. It also documents Southwest Indian life and archaeological monuments during Hegemann's career based at the Shonto Trading Post. The most notable images depict Hegemann; United States National Park Service rangers; Fred Harvey Trading Company sites and employees; Navajo and Hopi Indians; trading posts; Charles F. Lummis; the Grand Canyon; various ruins of Indian pueblos; Hopi ceremonies; Navajo horse races; and natural rock formations scattered throughout Arizona
Type
Visual Materials(Opens in new tab)
Production date
1922-1934.
Call number
N 30
Creator
Hegemann, Elizabeth Compton (1897-1962)(Opens in new tab)
Provenance
The Hegemann Collection of 729 prints came to the Huntington as two separate gifts. The first and largest part of the collection was donated by Elizabeth Hegemann in 1962. This portion (photographs numbered 1 through 539) was accompanied by copy negatives, the original negatives having been lost in the 1938 fire which claimed the Shonto Trading Post. The second group of photographs (numbered 540 through 729) came to the Library in 1965, three years after Hegemann's death. Copy negatives were made for a sprinkling of this second group.
Rights
The photographs which appeared in Navaho Trading Days are under copyright to the University of New Mexico Press. While the Huntington will provide copy prints for this material, permission to publish the photographs must be requested in writing from the Press itself. However, not all of the material in the Hegemann Collection is copyrighted by UNM Press. Hegemann arranged the photographs so that those images which appear in the book, and are hence under copyright, come first, followed by the uncopyrighted material. The images which are copyrighted are separated by those that are not by white paper dividers within the collection, and the status of the material is noted on the transcript. None of the photographs acquired in 1965 are copyrighted. At some point the status of this copyright needs to be investigated, since in several instances UNM Press has been unaware of the copyright status when approached by researchers for permission.
Find out more
View in the Library catalog(Opens in new tab)

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