Margaritta [Girl carrying water pot, possibly at Rancho Camulos] | Collections | The Huntington

Margaritta [Girl carrying water pot, possibly at Rancho Camulos] | Collections | The Huntington

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Spanish group on east porch [Possibly at Rancho Camulos]
Visual Materials
This disbound album contains 123 photographs taken by photographer A. Frank Randall between 1883 and 1888. The images include studio and field photographs of Apache Indians taken during the United States military campaign to capture Apache renegades during the Apache Wars. The majority of Randall's photographs are portraits of men, women, and children from various Apache tribes in Arizona and New Mexico. Among these photographs are images of a fox tamer; a fiddler; a flutist; a well-dressed, possibly high ranking Apache man; medicine men; young girls; mothers and their infant children; and Apache chiefs. Portraits of United States Army officers and scouts include Nelson A. Miles, Leonard Wood, Wilber E. Wilder, Roger Ames, Henry W. Lawton, William A. Thompson, Amos S. Kimball, John A. Dapray, Thomas J. Clay, Frank P. Bennett, Buffalo Jack, an Arizona female scout, and Apache scouts. Randall also included photographs of Rancho Camulos, many of which show people dramatizing scenes from Helen Hunt Jackson's novel "Ramona." Antonio Franco Coronel appears in some scenes. Other images include views of Missions Santa Barbara and San Juan Capistrano, what may be Vasquez Creek and Tujunga Canyon near Los Angeles, and views of Guaymas, Mexico.
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Chapel Camulos [Rancho Camulos]
Visual Materials
This disbound album contains 123 photographs taken by photographer A. Frank Randall between 1883 and 1888. The images include studio and field photographs of Apache Indians taken during the United States military campaign to capture Apache renegades during the Apache Wars. The majority of Randall's photographs are portraits of men, women, and children from various Apache tribes in Arizona and New Mexico. Among these photographs are images of a fox tamer; a fiddler; a flutist; a well-dressed, possibly high ranking Apache man; medicine men; young girls; mothers and their infant children; and Apache chiefs. Portraits of United States Army officers and scouts include Nelson A. Miles, Leonard Wood, Wilber E. Wilder, Roger Ames, Henry W. Lawton, William A. Thompson, Amos S. Kimball, John A. Dapray, Thomas J. Clay, Frank P. Bennett, Buffalo Jack, an Arizona female scout, and Apache scouts. Randall also included photographs of Rancho Camulos, many of which show people dramatizing scenes from Helen Hunt Jackson's novel "Ramona." Antonio Franco Coronel appears in some scenes. Other images include views of Missions Santa Barbara and San Juan Capistrano, what may be Vasquez Creek and Tujunga Canyon near Los Angeles, and views of Guaymas, Mexico.
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The Spanish salute [One of the dancers is Antonio Coronel. Possibly at Rancho Camulos]
Visual Materials
This disbound album contains 123 photographs taken by photographer A. Frank Randall between 1883 and 1888. The images include studio and field photographs of Apache Indians taken during the United States military campaign to capture Apache renegades during the Apache Wars. The majority of Randall's photographs are portraits of men, women, and children from various Apache tribes in Arizona and New Mexico. Among these photographs are images of a fox tamer; a fiddler; a flutist; a well-dressed, possibly high ranking Apache man; medicine men; young girls; mothers and their infant children; and Apache chiefs. Portraits of United States Army officers and scouts include Nelson A. Miles, Leonard Wood, Wilber E. Wilder, Roger Ames, Henry W. Lawton, William A. Thompson, Amos S. Kimball, John A. Dapray, Thomas J. Clay, Frank P. Bennett, Buffalo Jack, an Arizona female scout, and Apache scouts. Randall also included photographs of Rancho Camulos, many of which show people dramatizing scenes from Helen Hunt Jackson's novel "Ramona." Antonio Franco Coronel appears in some scenes. Other images include views of Missions Santa Barbara and San Juan Capistrano, what may be Vasquez Creek and Tujunga Canyon near Los Angeles, and views of Guaymas, Mexico.
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The corn grinder. Spanish. [Woman grinding corn, possibly at Rancho Camulos]
Visual Materials
This disbound album contains 123 photographs taken by photographer A. Frank Randall between 1883 and 1888. The images include studio and field photographs of Apache Indians taken during the United States military campaign to capture Apache renegades during the Apache Wars. The majority of Randall's photographs are portraits of men, women, and children from various Apache tribes in Arizona and New Mexico. Among these photographs are images of a fox tamer; a fiddler; a flutist; a well-dressed, possibly high ranking Apache man; medicine men; young girls; mothers and their infant children; and Apache chiefs. Portraits of United States Army officers and scouts include Nelson A. Miles, Leonard Wood, Wilber E. Wilder, Roger Ames, Henry W. Lawton, William A. Thompson, Amos S. Kimball, John A. Dapray, Thomas J. Clay, Frank P. Bennett, Buffalo Jack, an Arizona female scout, and Apache scouts. Randall also included photographs of Rancho Camulos, many of which show people dramatizing scenes from Helen Hunt Jackson's novel "Ramona." Antonio Franco Coronel appears in some scenes. Other images include views of Missions Santa Barbara and San Juan Capistrano, what may be Vasquez Creek and Tujunga Canyon near Los Angeles, and views of Guaymas, Mexico.
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Interior chapel, Camulos [Rancho Camulos]
Visual Materials
This disbound album contains 123 photographs taken by photographer A. Frank Randall between 1883 and 1888. The images include studio and field photographs of Apache Indians taken during the United States military campaign to capture Apache renegades during the Apache Wars. The majority of Randall's photographs are portraits of men, women, and children from various Apache tribes in Arizona and New Mexico. Among these photographs are images of a fox tamer; a fiddler; a flutist; a well-dressed, possibly high ranking Apache man; medicine men; young girls; mothers and their infant children; and Apache chiefs. Portraits of United States Army officers and scouts include Nelson A. Miles, Leonard Wood, Wilber E. Wilder, Roger Ames, Henry W. Lawton, William A. Thompson, Amos S. Kimball, John A. Dapray, Thomas J. Clay, Frank P. Bennett, Buffalo Jack, an Arizona female scout, and Apache scouts. Randall also included photographs of Rancho Camulos, many of which show people dramatizing scenes from Helen Hunt Jackson's novel "Ramona." Antonio Franco Coronel appears in some scenes. Other images include views of Missions Santa Barbara and San Juan Capistrano, what may be Vasquez Creek and Tujunga Canyon near Los Angeles, and views of Guaymas, Mexico.
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Image not available
"La danca" National [Dancers are Antonio Coronel and Mrs. Brandt. Possibly at Rancho Camulos]
Visual Materials
This disbound album contains 123 photographs taken by photographer A. Frank Randall between 1883 and 1888. The images include studio and field photographs of Apache Indians taken during the United States military campaign to capture Apache renegades during the Apache Wars. The majority of Randall's photographs are portraits of men, women, and children from various Apache tribes in Arizona and New Mexico. Among these photographs are images of a fox tamer; a fiddler; a flutist; a well-dressed, possibly high ranking Apache man; medicine men; young girls; mothers and their infant children; and Apache chiefs. Portraits of United States Army officers and scouts include Nelson A. Miles, Leonard Wood, Wilber E. Wilder, Roger Ames, Henry W. Lawton, William A. Thompson, Amos S. Kimball, John A. Dapray, Thomas J. Clay, Frank P. Bennett, Buffalo Jack, an Arizona female scout, and Apache scouts. Randall also included photographs of Rancho Camulos, many of which show people dramatizing scenes from Helen Hunt Jackson's novel "Ramona." Antonio Franco Coronel appears in some scenes. Other images include views of Missions Santa Barbara and San Juan Capistrano, what may be Vasquez Creek and Tujunga Canyon near Los Angeles, and views of Guaymas, Mexico.
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