Gilman's Series of Grant Views taken at Mt. McGregor. No. 7: Sick Room

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  Gilman's Series of Grant Views taken at Mt. McGregor. No. 6: Bed Scene

  Visual Materials

  A view of a bedroom of the house in Mount McGregor in Wilton, New York, where President Ulysses S. Grant died in 1885. There is a fireplace on the far left, a bed in the back left corner, a table in the center of the room, and a chair and sofa on the right. There is a wreath resting on the back of the chair.

  photPF 4023

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  Views of H. Jevne Residence. Pasadena, Cal

  Visual Materials

  This album contains 14 professional photographs of the porches and interiors of the home of Hans Jevne at 910 S. San Rafael Avenue in Pasadena, California. These images were taken shortly after the new residence was completed in 1913. In addition, there are 5 loose snapshots of the exterior and grounds of the house, as well as 4 additional snapshots (one dated January 13, 1916) of Jevne's daughters, Vera Henneberger and Mina Braly, and Arthur Braly in equestrian clothing with horses. Each photograph in the album has a caption written in ink in the lower margin: "Porch overlooking Pasadena and mountains" -- "Carriage entrance porch" -- "Living" (2 views) -- "Dining room" --"Dining room and breakfast room" -- "Hall" -- "Hall and Stairs" -- "Upstairs sitting room" (2 views) -- "Blue spare (bed)room" -- "Pink spare (bed)room" -- "Upper Hall" -- "Billiard room."

  photCL 490

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  Krone's Paragon Series of Drawing Books

  Visual Materials

  Two drawing books entitled Krone's Paragon Series of Drawing Books, Nos. 2 and 9, revised, published by Krone Bros., New York, copyright 1905. Book no. 2 is 16 pages in length, and is a series of line exercises, progressing from simple, single lines to combinations of lines to construct images such as flowers, patterns and shapes. The front cover of both books are bordered and illustrated, including a life-size pencil diagonally positioned across the cover. The back cover of each contains general directions for drawing, materials needed, and a listing of the titles in the series. The inside of the front and back covers of Book No. 2 provides definitions of terms, with illustrations of those terms. All of the exercises have been filled in by a previous owner. Book No. 9 consists of 8 leaves, each with an image on the upper half of the page and space below for copying. These images include a rabbit, a pig, a horse and a deer. Each of the 8 leaves is protected by a tissue guardsheet. The inside of the front and back covers contain the same definitions, explanations and illustrations as those found in Book No. 2. The cover of Book No. 9 is vertically oriented, in that the cover is lifted from bottom to top, but the interior pages are turned as usual, opening to the left. "Annette Paquin" is written in ms. along the outside of the border in the lower right-hand corner of the front cover of Book No. 9. All of the illustrations have been copied in pencil by a previous owner.

  ephKAEE

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  Photographic views of California

  Visual Materials

  Consists of 33 copy prints with some duplicates. The back of each photograph has a title and a number to a corresponding lantern slide. photPF 190-193 are photographs of prospecting in California, depicting Yreka, Chinese prospectors, and a prospecting party, and appear to be copies of photographs by Eadweard Muybridge. photPF 194-196 photos are views of Ellwood Cooper's Ranch in Santa Barbara County. photPF 197-199 depict scenes of workers and lodgings in Yosemite Valley as well as the studio of artist Albert Bierstadt. photPF 200 depicts the construction of the Bear River Crossing C.P.R.R. photPF 201 depicts trout fishing in Sonoma County. photPF 202-209 focuses on early Los Angeles County, with snapshots of ranches, orchards, vineyards, Los Angeles High School, and the homes of Maria Sepulveda, F. D. Bacon, and F. P. F. Temple. photPF 210-217 depict various locations in early San Francisco, including Telegraph Hill, Alcatraz Island, Goat Island, Woodward's Gardens, and the Mercantile Library. photPF 218-219 feature the Keystone quartz mill and the first quartz mill in Amador City.

  photPF 190-219

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  Cudahy. Elizabeth Street dump. View of interior of small insanitary one- room house of dump attendant. A few days after this picture was taken, the occupant was taken to the county hospital where a few days later he died of an undetermined disease

  Visual Materials

  This collection contains seven volumes of photographs and text covering activities of the Los Angeles County Department of Health Services from 1930 to 1932. The Bureau of Housing and Bureau of Inspection are two of the divisions represented. The 457 photographs depict housing, schools, water supply, swimming pools, sewage disposal, dairy farms and milk plants, garbage and refuse disposal, and general sanitation, among other topics. Of particular interest is volume 1, documenting the "Hoovervilles" that sprang up throughout Los Angeles during the Great Depression. In contrast is the volume showcasing the state-of-the-art housing for Olympic athletes who were in Los Angeles for the Tenth Olympiad held in 1932. Titles of the volumes are: The Habitations of Unemployed in Los Angeles County, 1932 (volume 1); Activities of the Bureau of Inspection, 1932 (volume 2); Sewage Disposal Methods in Los Angeles County (volume 3); Picture Story of Milk in Los Angeles County (volume 4); Olympic Village, Los Angeles, 1932 (volume 5); Miscellaneous Scenes of Los Angeles County Department of Health Activities (volumes 6-7). Volume 4 was compiled by Richard A. Koch and volume 5 was compiled by C. G. Kahlert.

  photCL 396

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  The "Monarch" Souvenir of Sunset City and Sunset Scenes Being Views of California Midwinter Fair and Famous Scenes in the Golden State. A series of pictures taken by I. W. Taber, official photographer of the Midwinter Fair

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

  photCL 555