Manuscripts
Squaw and Papoose
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Mescalero Squaw and papoose
Visual Materials
This disbound album contains 123 photographs taken by photographer A. Frank Randall between 1883 and 1888. The images include studio and field photographs of Apache Indians taken during the United States military campaign to capture Apache renegades during the Apache Wars. The majority of Randall's photographs are portraits of men, women, and children from various Apache tribes in Arizona and New Mexico. Among these photographs are images of a fox tamer; a fiddler; a flutist; a well-dressed, possibly high ranking Apache man; medicine men; young girls; mothers and their infant children; and Apache chiefs. Portraits of United States Army officers and scouts include Nelson A. Miles, Leonard Wood, Wilber E. Wilder, Roger Ames, Henry W. Lawton, William A. Thompson, Amos S. Kimball, John A. Dapray, Thomas J. Clay, Frank P. Bennett, Buffalo Jack, an Arizona female scout, and Apache scouts. Randall also included photographs of Rancho Camulos, many of which show people dramatizing scenes from Helen Hunt Jackson's novel "Ramona." Antonio Franco Coronel appears in some scenes. Other images include views of Missions Santa Barbara and San Juan Capistrano, what may be Vasquez Creek and Tujunga Canyon near Los Angeles, and views of Guaymas, Mexico.
photCL 101
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Waterman's Squaw and papoose
Visual Materials
A disbound album of primarily portrait photographs of Plains Indians, taken by photographer William E. Irwin from the 1890s to early 1900s, in Indian Territory. His images document the Chiricahua Apache, Comanche, and Kiowa Indians who lived near Anadarko and Fort Sill, Oklahoma; some photographs may have been taken at Irwin's studio at Chickasha, Indian Territory. Besides the studio and field portraits, there are also candid views illustrating late 19th-century Plains Indians in their daily lives; several views of cowboys and cow herding; Fort Sill; tepees; landscapes; and one view of a Wichita Indian grass house or wickiup. Notable portraits include those of Geronimo, seated, posing with headdress and revolver; Appeahtone (Kiowa Chief) and his wife; and Quanah Parker (Comanche Chief) with two of his wives. Many of the photographs focus on Comanche and Kiowa Indians posing for studio portraits. These portraits depict infants and children, young women, mothers, scouts, and warriors, many identified by name. Named individuals include Poor Buffalo, White Buffalo, Lone Wolf, and Little White Shield, among others. Field photographs show Apache, Kiowa, and Comanche encampments; a Wichita grass house; both cowboys and Indians caring for their herds; and views in and around Anadarko and Fort Sill, Oklahoma.
photCL 161
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Winnamucca Squaw & Papoose
Visual Materials
This collection contains 269 stereographs by photographer Carleton E. Watkins, dating from the 1860s to about the 1880s, that chiefly depict buildings, points of interest, and locales in Northern and Southern California. The collection includes 1 stereograph from the Central Pacific Railroad series; 5 stereographs from Watkins' Pacific Railroad Series; 110 stereographs from Watkins' Pacific Coast series; and 150 stereographs from Watkins' New Series. The Watkins' Pacific Coast Series, created between 1861 and 1874, primarily depict locales in Northern California with many images of buildings in San Francisco, views of Yosemite and Mariposa County, Missions, and some mining operations including photographs of the North Bloomfield Gravel Mining Company in Nevada County, California. The Watkins' New Series stereographs, created between 1874 and 1890, consist of images of both Southern California and Northern California, in cities including San Francisco, Pasadena, San Marino, Sierra Madre, and San Gabriel. Among the Southern California residences and properties depicted include the Sunny Slope Ranch of L.J. Rose in San Gabriel, Willow Dale owned by N.C. Carter, and Lake Vineyard owned by B.D. Wilson. Some of the stereographs in Watkins' Pacific Coast Series include titles in the margins in Watkins' own hand (see Nos. 1033, 1135, 1146, 1153, and 1721).
photST Watkins
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Kiowa squaw and papoose [Woman wrapped in dark blanket holding papoose upright]
Visual Materials
A disbound album of primarily portrait photographs of Plains Indians, taken by photographer William E. Irwin from the 1890s to early 1900s, in Indian Territory. His images document the Chiricahua Apache, Comanche, and Kiowa Indians who lived near Anadarko and Fort Sill, Oklahoma; some photographs may have been taken at Irwin's studio at Chickasha, Indian Territory. Besides the studio and field portraits, there are also candid views illustrating late 19th-century Plains Indians in their daily lives; several views of cowboys and cow herding; Fort Sill; tepees; landscapes; and one view of a Wichita Indian grass house or wickiup. Notable portraits include those of Geronimo, seated, posing with headdress and revolver; Appeahtone (Kiowa Chief) and his wife; and Quanah Parker (Comanche Chief) with two of his wives. Many of the photographs focus on Comanche and Kiowa Indians posing for studio portraits. These portraits depict infants and children, young women, mothers, scouts, and warriors, many identified by name. Named individuals include Poor Buffalo, White Buffalo, Lone Wolf, and Little White Shield, among others. Field photographs show Apache, Kiowa, and Comanche encampments; a Wichita grass house; both cowboys and Indians caring for their herds; and views in and around Anadarko and Fort Sill, Oklahoma.
photCL 161
An Indian family of three: brave, squaw, and papoose, 1868
Visual Materials
Outdoor portrait of an Arapaho Indian man, woman and child seated on an animal hide.
photCL 189 (15)
