Interior views of a modern first class pork packaging & canning establishment of the United States of America

You might also be interested in

• 

  The first great western empire: or, the United States of America

  Visual Materials

  Image of a patriotic broadside illustrated with emblems of the United States interspersed with text; central framework incorporates a small "Temple of Freedom" with a small Liberty figure, and containing the words "The Federal Constitution;" oval bust-length portraits of Presidents George Washington, John Adams, Thomas Jefferson, and James Madison; vignettes above represent Agriculture and Domestic Manufactures, the "immoveable pillars of the Independence of our country," and Commerce, "a strong support to our national edifice;" seal of the United States and a listing of the names of the seventeen states with their 1810 census figures at top center; quotations and brief texts including "General George Washington's resignation," a description of the geography, government, and people of the United States, and the song "Columbia" written by Dr. Timothy Dwight IV, President of Yale College.

  priJLC_POL_002639

• Image not available

  Photographs of the Southern California Packing Company

  Visual Materials

  A collection of 36 photographs related to the Southern California Packing Company of Los Angeles, California, and its secretary manager Marion Welsh (or Welch) and his family. Photographs include views of the interior and exterior of the plant located at the corner of Macy Street (now East Cesar E. Chavez Avenue) and Anderson Street in the Boyle Heights neighborhood; male, female, and child workers, including two group portraits; various food processing departments depicting fruit, canning, packing, syrup and jelly making and one montage of various departments; railroad freight cars along the Los Angeles River, identified as a special shipment sent east on October 6, 1892; and views of houses occupied by the Welsh family at 930 Macy Street and 114 Anderson Street. There is also single photograph of a row of soldiers standing at attention with rifles (item 28) and a studio portrait of Clyde Welsh as a young man (item 36). Removed mounts for some of the photographs bear printed labels for Putnam, Cromwell & Westervelt, and Coules Palace Studio.

  photCL 150

• Image not available

  United States and North America

  Visual Materials

  A collection of photographs and maps compiled by American geologist and petroleum engineer Ralph Arnold (1875-1961), documenting his pioneering work in oil and mineral exploration, chiefly in the Western United States, Mexico and Venezuela, from 1900 to 1954. The collection centers on 64 photograph albums that span 50 years of Arnold's life and work. Photographs are accompanied by Arnold's typed captions identifying geological features; oil and mining activities; technical data; and dates and locations, i.e. often an oil or mining "district" or "field," such as "Sunset Field" (California). Subject matter includes geological and topographical features such as rock formations, faults and schisms, mountain structure, geothermal activity, and open land with potential drilling or mining spots. Earthquake faults are seen and described in many of Arnold's California investigations. There are also views of small and large-scale oil operations (by individuals and by organized companies); details of oil flow and reservoirs; asphalt; drilling equipment; workers and fields of oil wells. Arnold's work took him all over the Western United States, particularly California oil fields, but also Texas, Wyoming, Arizona, Alaska and other states. From 1911-1916 he was primarily in South America, and in the 1920s-1940s, mostly in the U.S., Canada and Mexico. Mining operations are the focus of some albums, showing investigations for tin, gold and other minerals; mines and ore processing, all with detailed descriptions. Arnold also often photographed people: colleagues and business associates, oil lease owners on their properties; workers (particularly Black and Asian workers in Venezuela); and friends and family. Personal photographs are throughout the album, such as of his wife, Winninette, and their two daughters; Stokes family members (Winninette's family) in South Pasadena; and alumni of Pasadena High School and Stanford University. Arnold was an avid gardener and the albums contain detail views of cactus and tropical plants, and scenes of Arnold collecting wild orchids in Trinidad, Venezuela and Mexico. The maps date from 1880-1948 and include U.S.G.S. and geological maps, California oil fields and well locations; layouts of mines, and various tract maps showing oil company-owned land.

  photCL 311

• Image not available

  Unidentified photographers - Views of United States other than California

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

  photCL 555