Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Manuscripts
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
Includes Francis D. Tandy, New York, typescript letter signed to Judd Stewart, New York, 1911 July 28 (HM 23499) and typescript copies of speeches given at the Lincoln Fellowship annual dinner at Delmonico's, 1911 February 11, some with handwritten edits (HM 2037). (41 pages)
HM 23499, HM 2037
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Manuscripts
Speech given by Otis Chandler at the Western States Advertising Agencies Association Media Relations dinner on September 13, 1961. Also in this folder are two pages of excerpt from this speech and a letter to Howard Hoover, New York Magazine, from Otis Chandler's secretary, regarding her forwarding three copies of the speech to him.
mssLAT
![Autobiography of George Washington Brimhall [microform] : c.1888-1889](/_next/image?url=https%3A%2F%2Frail.huntington.org%2FIIIF3%2FImage%2F22APN4SB3DM7%2Ffull%2F%5E360%2C%2F0%2Fdefault.jpg&w=750&q=75)
Manuscripts
Microfilm of a typescript of George Washington Brimhall's autobiographies. The first part, entitled History and Biography of the First Part of the Life of George Washington Brimhall, includes anecdotes about Brimhall's childhood and young adult life in New York state, including stories about his family's lumber freighting business. The account ends with his travels through the Northeast in the late 1830s and his eventual settling in Knoxville. The second part, entitled A True History and apparently begun at Spanish Fork, Utah, on December 15, 1888, primarily recounts Brimhall's experiences in Utah. It begins with an allegorical description of his family life in Illinois and his call west. Brimhall then recounts volunteering with Zadok Knapp Judd to help found a new colony (probably the Iron Mission near Parowan); encounters with Indians near in the area of Sevier; his service in the state legislature; continuing famine conditions and hard winters; experiences in Ogden, Cedar City, and Salt Lake City; being sent to colonize Grafton, in Kane County near the Rio Virgin, in 1864; difficult travel conditions and his reluctance to relocate to St. George and Spanish Fork; 1873 Indian peace treaty negations involving Judge John Cox and Chiefs Poikneapah, Ungutsup, and Tamerat; and his treatment for Brights Disease in San Francisco 1877. The accounts end in 1889.
MSS MFilm 00033
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Manuscripts
The collection consists mostly of Irvine's manuscripts, arranged alphabetically by title. The entirety of the first and the beginning of the second box consist of manuscript drafts - both typescript and autograph - of chapters from the author's larger works. The rest of the second box consists of manuscript drafts of sermons which Irvine gave after the turn of the century, most of them from his 1909-1910 tenure at the Church of the Ascension in New York City. The third upright box consists entirely of Irvine's manuscript essays, many of which appeared in publication. Most of these manuscripts are undated but it appears the bulk of these papers come the Irvine's final thirty years. The collection's final upright box contains the rest of Irvine's manuscripts. It also contains twenty-four folders of Irvine's correspondence, three folders of news clippings, six folders of ephemera, and one folder of photos. There are several items in oversize. Two large scrapbooks, each housed individually, contain a great deal of ephemera, photographs, and correspondence which Irvine himself organized. Other items in oversize include a small scrapbook containing mainly photos and news clippings from 1922 to 1938, and a large, thin packet containing four editions of The Psychological Review of Reviews from the early 1920s. There are also two oversize manuscripts: one a fragment from the draft of a script, and the other an undated essay titled "The Cost of Something for Nothing."
mssIrvine papers
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Manuscripts
The collection consists mostly of Irvine's manuscripts, arranged alphabetically by title. The entirety of the first and the beginning of the second box consist of manuscript drafts - both typescript and autograph - of chapters from the author's larger works. The rest of the second box consists of manuscript drafts of sermons which Irvine gave after the turn of the century, most of them from his 1909-1910 tenure at the Church of the Ascension in New York City. The third upright box consists entirely of Irvine's manuscript essays, many of which appeared in publication. Most of these manuscripts are undated but it appears the bulk of these papers come the Irvine's final thirty years. The collection's final upright box contains the rest of Irvine's manuscripts. It also contains twenty-four folders of Irvine's correspondence, three folders of news clippings, six folders of ephemera, and one folder of photos. There are several items in oversize. Two large scrapbooks, each housed individually, contain a great deal of ephemera, photographs, and correspondence which Irvine himself organized. Other items in oversize include a small scrapbook containing mainly photos and news clippings from 1922 to 1938, and a large, thin packet containing four editions of The Psychological Review of Reviews from the early 1920s. There are also two oversize manuscripts: one a fragment from the draft of a script, and the other an undated essay titled "The Cost of Something for Nothing."
mssIrvine papers
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Visual Materials
The collection contains materials documenting the life and work of landscape architect Florence Yoch on approximately 100 of her over 250 projects, most undertaken with partner Lucile Council. There are approximately 2700 photographs; approximately 250 drawings and renderings, including 163 rolled drawings; approximately 600 postcards; office records; travel journals; research materials; writings; and artifacts. The materials date from 1869 to 2013, with the bulk of the collection relating to Yoch's work from 1918 until shortly before her death in 1972. The collection also includes research and administrative files of James J. Yoch, Florence Yoch's cousin, comprising photographs, approximately 2500 slides, notes, articles, bibliographies, correspondence, and publicity materials, for his book, Landscaping the American Dream: The Gardens and Film Sets of Florence Yoch, 1890-1972 (Harry N. Abrams, Inc./Sagapress, Inc., New York, 1989) and for the exhibition he curated with Eric T. Haskell of Scripps College, "Personal Edens: The Gardens and Film Sets of Florence Yoch," which opened at the Huntington Library in 1992 before traveling to New York, Milwaukee, and San Diego. Items from the collection that were featured in the exhibition have been noted in Scope and Contents notes. Major projects represented in the collection include landscape design for residences, including those of Mr. and Mrs. W. T. Bishop (Il Vescovo estate, Bel Air), Ira and Margaret Bryner (Pasadena), Charles and Adelaide Davis (Pasadena), Mrs. David E. Park (Montecito), Mary Stewart (Il Brolino estate, Montecito), and Reese and Margaret Taylor (San Marino and Pasadena), along with work for film luminaries including Dorothy Arzner, George Cukor, David O. Selznick, and Jack Warner; for institutions and organizations including the California Institute of Technology (Pasadena) and the Women's Athletic Club (Los Angeles); and for movie sets for The Garden of Allah (1936); Romeo and Juliet (1936); The Good Earth (1937); Gone with the Wind (1939); and How Green Was My Valley (1941). Renderings include those of landscape architect Katherine Bashford, who served as an apprentice with Yoch in the early 1920s and who illustrated Yoch's plan for the courtyard of Vroman's Bookstore and the pool garden for Mrs. Howard Huntington's residence, and artist Harrison Clarke, whom Yoch hired to illustrate Yoch and Council's design of the B. F. Johnston Botanical Garden in Los Mochis, Mexico, among other projects. Project records also include topical files, comprising chiefly photographs showing elements of Yoch's work including millstones, benches, and pavements and pebble design. In addition to project records, which were often found in ornately hand-lettered portfolios, the collection features personal papers including a diary, correspondence, and photographs and drawings of Yoch, Council, Yoch's family, and residences in Laguna Beach, Pasadena, San Marino, and Carmel (the latter nicknamed "Lazycroft Cottage"). Professional papers include correspondence; writings by Yoch, among them a typescript of a chapter for a proposed book; research notes; reference and subject files including articles, clippings, books and booklets, catalogs, and periodicals; and photograph albums containing prints, snapshots, and postcards depicting landscape and garden features from Europe, Mexico, and Northern Africa. Office records include a client index; an office account book with detailed information on materials, features, and projects; garden instructions to clients; presentation photographs; an album of snapshots organized according to an alphanumeric classification system employed by Yoch and Council; publications about Yoch and Council's work; and plant and travel notebooks. Many of the materials in the collection contain plant lists, for example from Los Angeles and North Africa. The collection also includes items used and collected by Yoch and Council, some during their travels in Europe. The collection features the work of photographers including Fred R. Dapprich, George D. Haight, William Aplin, Hiller and Hiller Studios, William M. Clarke, Don Brown, and many others. Except for photocopies of correspondence between Yoch, David O. Selznick, and others regarding Yoch and Council's landscape fabrication for the film set of The Garden of Allah, the collection contains no documentation of contracts or agreements with clients.
archYoch