Manuscripts
Photographs 1860s-approximately 1900
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Photographs 1860s-approximately 1900
Manuscripts
The dates for the photographs are the 1860s to approximately 1900. It is assumed the individuals in the photographs are Shugart family members. There is one daguerreotype of Zachariah T. Shugart. There are two tintypes of unknown men (one standing with a bicycle). The rest are cabinet cards by various photography studios, mostly in Iowa. The photography studios heavily represented are: Boyd, Des Moines, Iowa; J. L. Hudson and Hudson's Gallery, Tama City, Iowa; J. S. Moore, Toledo, Iowa; J. B. Scholl, Chicago; and I. L. Townsend, Iowa Falls ,Iowa.
mssShugart
Image not available
Photographs
Manuscripts
The 46 loose photographs in the collection are mostly unidentified and undated. The dates for the photographs are the 1860s to approximately 1900. It is assumed the individuals in the photographs are Shugart family members. There is one daguerreotype of Zachariah T. Shugart. There are two tintypes of unknown men (one standing with a bicycle). The rest are cabinet cards by various photography studios, mostly in Iowa. The photography studios heavily represented are: Boyd, Des Moines, Iowa; J. L. Hudson and Hudson's Gallery, Tama City, Iowa; J. S. Moore, Toledo, Iowa; J. B. Scholl, Chicago; and I. L. Townsend, Iowa Falls, Iowa.
mssShugart
Photograph album 1850s-1890s
Manuscripts
The photograph album contains 42 cabinet cards of Shugart and Overturf families, from the 1850s to the 1890s. Only a few are identified and none are dated. It looks like two cabinet cards fell out at some point.
mssShugart
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Photograph album
Manuscripts
The photograph album contains 42 cabinet cards of Shugart and Overturf families, from the 1850s to the 1890s. Only a few are identified and none are dated. It looks like two cabinet cards fell out at some point and the edges around some of the cabinet cards are ripped, making it possible for more to come loose.
mssShugart
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Photographic views of California and the West, bulk (approximately 1895-approximately 1900)
Visual Materials
A disbound photograph album containing 129 photographs by commercial photographers of tourist sites in California and the American West, particularly of the California Missions, the Grand Canyon, and Salt Lake City, Utah. Among the missions shown are Mission San Gabriel Arcángel, Mission San Juan Capistrano, and Mission San Carmel. There are also views of "Lucky" Baldwin's Ranch in Altadena, California; various places in Pasadena and Los Angeles, California; landscape views of Antelope Valley and San Bernardino Valley in California; enormous sequoia trees in central and northern California; and various tourist attractions including the Great Cable Incline of the Mount Lowe Railway and the home of Ramona, the heroine of Helen Hunt Jackson's 1884 novel of the same name. There are photographs of Native Americans who are identified as 135, 107, and 105 years old, and one photograph of an "Indian Papoose". At the end of the album there are photographs of the Mormon Tabernacle in Salt Lake City, the Salt Lake City and County Building, and one portrait each of Brigham Young and one of his wives, Amelia Folsome Young. Notable photographs include an image of a Chinese man standing on a front porch by C.B. Waite titled "785. Transplanted," a photograph of a photographer's horse-drawn wagon below a giant redwood titled "No. 240 Grizzly Giant, Mariposa, Cal." Many of the photographs have the "Park & Co. Photo" imprint of Los Angeles photographer Frank L. Park, and there are also photographs by others including Charles Ironmonger (chiefly of the California missions), F. H. Maude, C. R. Savage, and C. B. Waite.
photCL 49
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Photograph of Mrs. Wachtel
Visual Materials
This collection contains 152 photographs of the family of Leonard John Rose (1827-1899), the Rose family's ranch and vineyard "Sunny Slope" in San Gabriel, California, their residences, and horses owned by the family, chiefly dating from the late 19th century. Many of the photographs are cabinet card studio portraits of family members, especially the children of L. J. and Amanda Rose, including Nina Rose Wachtel (and her husband John V. Wachtel), Guy Rose, Mabel Rose Dixon, Maud Rose Easton. Many of the card photographs have imprints of Los Angeles photography studios including Steckel & Lamson and T.G. Schumacher. Among the photographs of the Sunny Slope Farm are stereographs by W.M. Godfrey (Volume 1, Items 13a and 14-14a) and stereographs and unmounted prints by Carleton Watkins (Album 1, Items 17-29 and 75 and 76).
photCL 156