Visual Materials
Photograph album
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Abraham Lincoln photograph album
Visual Materials
A photographic album with 59 images showing the places where Abraham Lincoln lived in Illinois and Kentucky. The towns and cities featured include Elizabethtown, Kentucky; Hodgensville, Kentucky; Lincoln City, Indiana; Petersburg, Illinois; Springfield, Illinois; and Chicago, Illinois. Most of the photographs show the exteriors of buildings, with a few interior views, particularly of Lincoln's house in Springfield, Illinois. A manuscript letter from compiler Albert C. Grier to Milwaukee Lincolniana collector John E. Burton, attached to the rear pastedown, explains how the album was assembled.
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Photograph album
Visual Materials
This collection contains photographs taken or compiled by Philip B. Harris, related to his 42-year career with the Los Angeles Railway and his service as a captain in the U.S. Army Engineers, World War I. The majority of railroad construction scenes are related to the Los Angeles Railway, approximately 1905-1920s. Images include: construction and engineering work on railroads in the Los Angeles area; Harris and other men working on surveying projects, 1902, in Mount Lowe and Garvanza; survey parties in the California Sierras and San Bernardino Mountains. Some images appear to depict the Pacific Electric Railway construction surveying party that Harris was put in charge of soon after he graduated, in 1901. A photograph album, 1901-approximately 1919, includes views of Redondo Beach; personal images of Harris and family members; San Pedro Harbor; and railroad tracks being laid for a streetcar line. Several images show Latino workers digging and laying tracks, approximately 1903. The album has handwritten captions for several photographs, but many scenes are unidentified. The images of World War I France include 52 photographs by Harris, with some commercial photographic postcards. Images show war ruins; decorated graves; battlefields; soldiers; people at train stations; countryside scenes, and a group portrait of Harris and other uniformed soldiers at Roymeaux Field, May 21, 1919. There are also photographic postcards of various tourist scenes in France and war-damaged buildings. Box 3 contains a rolled panoramic photograph of over 100 soldiers, including Harris, of the U.S. Army corps of engineers, 1918, at Fort Harrison, Indiana. The collection also includes a typewritten biographical sketch of Harris and a list of names and addresses of engineers and railroad workers from Harris' address book.
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Santa Barbara Flower Festival photograph album
Visual Materials
A collection of 24 commercial photographs of the Santa Barbara Flower Festival of 1895, in Santa Barbara, California. Most of the photographs feature horse-drawn carts or carriages decorated as floats with flowers and other greenery, with a few images of the streets of Santa Barbara decorated for the festival and children picking flowers. The photographer, presumably, is N.H. Reed, whose book of published images, "Souvenir of Santa Barbara Flower Festival. Photo-Gravures" (1895), includes both similar and some of the same images found in this collection.
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T. Moriya commercial photograph album of Beijing and Tianjin after the Boxer Uprising
Visual Materials
A commercial photograph album published by T. Moriya, Yokohama, Japan, containing 50 hand-colored photographs of scenes in Beijing and Tianjin following the Boxer Uprising in China. The album has decorative lacquered covers and folds out accordion style, with commercially-made photographs mounted on both sides of the leaves. It was most likely created as a souvenir album for the international military forces of the Eight-Nation Alliance that took part in the suppression of the Boxer Rebellion in 1900. All photographs have printed captions in English in the negative, and most have handwritten descriptions in French below the photographs, indicating the previous owner may have been a French officer or soldier who took part in the crisis. Images include famous sites in Beijing and Tianjin, some of which are partly ruined; group portraits of international soldiers and marines; and three images of the execution (beheading) of Chinese Boxers. One photograph shows the Catholic Church of Our Lady of Victory in Tientsin, which burned down after the Allies' bombardment in 1900, accompanied by an extensive handwritten note in French in the margin.
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Photograph album
Visual Materials
An album of photographs of groups of people gathered for reunions and commemorations of the Civil War, chiefly in the 1880s. The album contains albumen prints, 7 x 9 inches, mounted on board, with no handwriting or identifications, though many appear to be at Gettysburg. Some groups are posed at battlefield monuments that reveal locations, such as one at Little Round Top, and another of five veterans posed with historian John B. Bachelder at the 29th Ohio Infantry Monument, Gettysburg. Men are often wearing badges or ribbons with a star, and sometimes military hats. A few women also appear in the groups. Two photographs depict crowds gathered to hear a speaker on a platform, and another shows a group standing in front of a tree posted with a sign reading "Here is where Gen. Reynolds was killed, July 1, 1863." Identified photographers are: P. S. Weaver (view of a group on Culp's Hill at Gettysburg), W. H. Tipton, Rile, and Rile & Kerns. Two mounted photographs by Mathew Brady, 1862, were laid in the album: "No. 207. Soldiers' Graves at Bull Run" and "No. 237. Ruins at Manassas." The Brady images and two others loose from the album are housed in Box 2.
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Photograph album
Visual Materials
This personal album of photographs documents a trip from the South to the West Coast of the United States with photographs by various unidentified professional photographers. The book begins with images of New Orleans, Louisiana, and continues westward to California, with 36 of the 49 photographs depicting California landmarks. The photographs are printed onto the album pages and are accompanied by handwritten captions identifying the landmark or view. This album may have been owned by C.W. Hornick, whose name is engraved on the album's front cover.
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