Visual Materials
Person with long ponytail walking down street
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Person with long ponytail walking down street
Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
photCL 624
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Adult and child walking on street, near building
Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
photCL 624
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Hibbs and Unidentified Woman Walk Down Street
Manuscripts
The Albert R. Hibbs Papers, 1884-2009 (80 boxes) document the personal life and career of Hibbs as a manager and scientist at the Jet Propulsion Laboratory (JPL), the relationships between JPL, the National Aeronautics and Space Administration (NASA), and the California Institute of Technology (Caltech), and the development of the solar system exploration programs. Hibbs' consulting work for television and radio programs, Biosphere 2, and Morgantown Area Rapid Transit System (MARTS) are also documented. Although the collection arrived at The Huntington in disarray, original order of the materials was maintained when possible and the arrangement reflects Hibbs' general organization by correspondent, subject, or format of materials. The collection is divided into ten series: Audio Visual Materials, Consulting Files, Jet Propulsion Laboratory (JPL), Notebooks, Personal Files, Photographs and Negatives, Presentations and Speeches, Publications and Writings, Teaching Files, and Oversize. The bulk of collection materials date from 1931 to 1999 and consists of audio and video tapes, clippings, correspondence, memoranda, notes, photographs, publications, speeches, and writings. As the collection is arranged by both subject and format of the materials, researchers should be aware that materials are often dispersed through the series. For example, materials related to specific subjects are frequently represented in the JPL and Notebooks Series; similarly, Hibbs' friendship and collaboration with Roy L. Walford is documented in the Correspondence and Aging Research and Writings subseries of the Personal Series, in the Space Bioshpheres Ventures subseries of the Consulting series, as well as in the Audio Visual Materials Series. Correspondence is also dispersed throughout the series.
mssHibbs
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La Paz: One of the Old Streets [Herd of llamas walking down street] [Bolivia]
Visual Materials
This disbound album is made up of two volumes, the first containing late 19th century photographs of sites throughout Mexico and parts of South America; most notable are Mexico City, Guanajuato, Zacatecas, Peru, Bolivia, and the Mesoamerican ruins of Mitla, Tiahuanacu, and Gran Chimu. Some of the photographs in volume one are cyanotypes made by C.F. Lummis. Views of some California missions are also included, with a focus on San Fernando Rey. The second volume of the album also holds late 19th century photographs of Anglican church buildings in England, featuring York Minster, Winchester Cathedral, and Ely Cathedral.
photCL 238
