Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Manuscripts
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
No application. Prod. (as The Hebrew) D.L., Mar. 2, 1820. MS: dated, by Larpent, D.L., Feb. 9; some corrections and excisions, by Examiner (?). Comp. The Hebrew, 1820 (K-D 497): differs extensively.
LA 2143
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Manuscripts
No application; signed G W Reeve Olympic Theatre 1821. Prod. Nov. 3. MS: dated by Larpent Oct. 25; some corrections, and excisions (by Examiner?).
LA 2254
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Manuscripts
Application n.d. [Apr. 9, 1785?], Thomas Linley, D.L. MS: slight revisions. J.P.C. in B.D.: The Author on the Wheel, a piece cut in the Greenroom was probably played in 1785 as Larpent licensed it on 9th April in that year as appears by his account book-It was only one act. It was sent from the Manager of Drury Lane, Lindly.
LA 695
Manuscripts
Manuscript dated by Larpent June 22 and shows various excisions and corrections. Some passages, inserted to replace those cut out after objection by the Licenser, have been marked, 'Alterations for the Approbation of the Licenser'. Songs, possibly submitted separately, have been inserted.
mssLA 1582
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Manuscripts
No application. Prod. (as The Tale of the Castle; or, Who Is She Like) Edinburgh, Apr. 6, 1793. MS: dated Theatre Royal Edinburgh. March 9th. 1793. J.P.C. in B.D.: It was sent up to be licensed from the T. R. Edinburgh-Larpent entered it in his accounts under date of March 9th. 1793 and that he received it from Mr Eston [Mrs. Esten?] the Manager.
LA 977
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Manuscripts
No application. Prod. (as Raising the Wind) C.G., Nov. 5, 1803. MS: dated, by Larpent, C.G., Oct. 24; slight corrections in another hand, and some deletions, by Examiner (?); prologue. Comp. Raising the Wind, 1803 (K-D 393): practically identical.
LA 1391