Manuscripts
Ali Baba; or, The Forty Thieves
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Ali Baba & the 39 Thieves
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487
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Ali Baba -- Undersea Ballet
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487
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The Arabian nights : tales of wonder and magnificence
Rare Books
Selections from the over 600 stories which, according to legend, Shaharazad told a mighty king as a way to save the lives of the girls of her land. Includes stories of the voyages of Es-Sindibad, the magic horse, the wonderful lamp, and Ali Baba and the thieves.
420123
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The Forty Thieves. Operatical romance, 2 acts. Richard Brinsley Sheridan, Charles Ward, and George Colman, the Younger
Manuscripts
The collection consists of official copies of plays submitted for licensing between 1737 and 1824. Most of copies were written by professional copyists. Approximately 95 of the plays submitted were printed texts, either whole or partial. These have been cataloged individually and may be searched in the online catalog.
LA 1480
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[Akbar, Ali, Mirza]? "It was in the midst of the reign of Fateh Ali Shah…," A. MS. (42 p.), ([1876?])
Manuscripts
Incomplete; written by a secretary? Note: pencilled page numbers supplied by an earlier cataloger. Cataloger's Note: this manuscript could possibly be the "Akits as Mirza-Ali" listed on p. 183 of Penzer, one of Richard Burton's unpublished manuscripts.
RFB 1
The Whim
Manuscripts
Two act comedy not produced as the licence was refused. Opens with two servants discussing the poor character traits of the nobility. These have been underlined either by the censor or the author.
mssLA 1093