Manuscripts
Britons Strike Home; or, The Sailor's Rehearsal
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Britons Strike Home; or, The Sailor's Rehearsal. Farce, 1 act. Edward Phillips
Manuscripts
The collection consists of official copies of plays submitted for licensing between 1737 and 1824. Most of copies were written by professional copyists. Approximately 95 of the plays submitted were printed texts, either whole or partial. These have been cataloged individually and may be searched in the online catalog.
LA 16
The New York State Soldiers' and Sailors' home. : Bath, New York
Visual Materials
Image of an elevated landscape view of the New York State Soldier's and Sailor's Home in Bath, New York, showing five buildings surrounding a center yard, with troops lined up around a fountain, and soldiers raising an American flag up a flag pole, with trees and hills in the background.
priJLC_MIL_001038
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[Raising of the USS Maine in Havana Harbor, Cuba]
Visual Materials
Set of 22 black-and-white photographs documenting the dredging the USS Maine by the United States in the Havana Harbor, Cuba, in March 1912, and the removal of the remains of sailors to Washington, D.C., for burial in Arlington National Cemetery. Images include views of the towing and sinking of the ship, ceremonies in Havana, with Cuban soldiers carrying the wooden coffins of American sailors onto United States Naval ships in the harbor for transport, and in Washington D.C., with a procession ending with the internment of the remains at Arlington. There are also views of Spanish-American War battle locations in Santiago, Cuba, taken in December 1913.
photCL 410
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Photograph albums and travel diary of the Philippines by sailor aboard the USS Pocomoke (AV-9)
Visual Materials
Two photograph albums, one containing a 60-page travel diary, by U.S. Navy crew member W. A. (William Arthur) Isaminger, documenting his experiences in the Philippines during and after World War II. His travel log titled "Navy Life" begins in March 1944 when he joined the navy, then describes his time stationed in the Philippines through February 1946, when he returns home to Seattle, Washington. He was aboard the USS Pocomoke (AV-9), an aircraft carrier that operated primarily in the Pacific theatre during the war and serviced military seaplanes. Along with the diary are handwritten entries on mileage between various locations on his travels from Seattle to the Philippines and back, addresses of acquaintances and family, and a few pieces of ephemera. There are 173 photographs in the two albums, all with handwritten captions. The images include sailors and local residents, village scenes, churches and civic buildings, the statue of Philippine national hero Jose Rizal, a sunken Japanese ship in Manila harbor, and a Japanese internment camp and prisoners. There are also several images of partially nude native women and children, two scenes of cockfighting, a man with elephantitus, and a man holding the decapitated head of a Japanese man. The album also features images of activities on board the ship, various seaplanes, and a series of photographs documenting examples of "nose art": female pinups painted on airplane fuselage. Also includes a printed menu in honor of Victory Day, dated August 15, 1945. Locations include Zamboanga, Mindanao, Luzon, Puerto Princesa, Calicoan Island, Samar Island, Taclogan, and Tawitawi Island.
photCL 677
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Neueste Eisenbahn - Kanal - u. Post-Karte für Reisende in den Vereinigten Staaten von Nord Amerika Canada, Texas u. Californien. Nach J. Calvin Smith, H. S. Tanner u. andern neuesten Quellen Bearbeitet
Rare Books
Enclosed with a short information booklet for travelers. Booklet lists newspapers for travelers; locations in Europe with travel information; European ship planning; cheap guest houses in European departure cites; etc. Most map details in English; major features, such as the Great Lakes, state and territory names, etc., are in German. A later version of 28072. Submaps: Karte von Oregon und Neu-Californien; Plan von New-York; Philadelphia; Eisenbahn Route v. New York n. Philadelphia; Eisenbahn Route v. Philadelphia n. Washington; Eisenbahn und Kanal Routen von Albany nach Buffalo. Prime meridian: Washington. Relief: no. Projection: Polyconic. Printing Process: Lithography.
316221
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Portrait of a Chinese woman in a sailor's uniform, smoking a cigarette
Visual Materials
This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.
photCL 624