Main hall on the first floor of the Huntington residence

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  Early view of Huntington Library exhibition hall

  Visual Materials

  MS note on verso reads: "HEH library, before January 1928 - while main exhibition hall was also rare book reading room." Stamp on verso reads "This print is released as a personal courtesy and is not for publication. All syndicate and publication rights reserved. Eyre Powell Press Service." Another copy is no. 347 Pictures Archives, box 4, folder 1.

  photCL 107: folder 26 (3)

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  Small drawing room of the Huntington residence

  Visual Materials

  View of the north end of the small drawing room in the residence, the dining room is visible through the open door. Reflected in the mirror is Thomas Gainsborough's The Cottage Door (circa 1780). Through the door can be seen Gainsborough's Elizabeth (Jenks) Beaufoy, later Elizabeth Pycroft (circa 1780). The clock on the mantel is stamped Japy Frères et Cie and is from 1785 or later. MS note on verso reads "HEH residence as art gallery: large drawing room." This identification as the large drawing room is incorrect. Stamp on verso reads "This print is released as a personal courtesy and is not for publication. All syndicate and publication rights reserved. Eyre Powell Press Service."

  photCL 107 fld23 (7)

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  Small drawing room in the Huntington residence

  Visual Materials

  View of the small drawing room in the Huntington residence, showing fireplace, chandelier, and display cabinet of miniature paintings. Hanging on the wall above the case is Joseph Mallord William Turner's The Grand Canal: scene - a street in Venice (circa 1837). The large portrait reflected in the mirror is Sir Thomas Gainsborough's Elizabeth (Jenks) Beaufoy, later Elizabeth Pycroft (circa 1780). Also reflected but slightly obstructed is Sir Joshua Reynolds' Lavinia (Bingham), Countess Spencer, and John Charles Spencer, Viscount Althorp, later Earl Spencer (1783-1784). MS note on verso reads "HEH residence as art gallery: small drawing room." Stamp on verso reads "This print is released as a personal courtesy and is not for publication. All syndicate and publication rights reserved. Eyre Powell Press Service."

  photCL 107 fld23 (13)

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  Library of the Huntington residence

  Visual Materials

  A view of the library facing the north wall, showing furniture and tapestries from the 18th century. In the back left is a writing desk and filing cabinet (bureau plat et cartonnier), attributed to Etienne Doirat, are from 1720 to 1732. The settee and chairs belong to the set of two settees and ten chairs whose upholstery covers were woven at Gobelins Manufactory, Paris, probably under the supervision of Jacques Neilson (1714-1788), after design by François Boucher (1703-1770) and Jean-Baptiste Oudry (1733-1755). The covers were woven circa 1779, and the frames are nineteenth century. The screen in the background is a six-panel folding screen (paravent) made at the Savonnerie Manufactory, Chaillot workshop, Paris, after designs by Alexandre-François Desportes (1661-1743), made between 1719 and 1784; the frame is of a later date. On the right is a writing desk (bureau plat), attributed to the Pagoda Master, made circa 1730. On this desk is a sculpture, Diane chasseresse (Diana the Huntress), made by Jean-Antoine Houdon in 1782. Hanging on a wall on the left is a Beauvais tapestry, "La Pipée aux Oiseaux (The Bird Catchers)." MS note on verso reads "HEH residence as art gallery: large library room." Stamp on verso reads "This print is released as a personal courtesy and is not for publication. All syndicate and publication rights reserved. Eyre Powell Press Service."

  photCL 107 fld23 (1)

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  Library of the Huntington residence

  Visual Materials

  A view of the library facing the north wall, showing furniture and tapestries from the 18th century. In the back left is a writing desk and filing cabinet (bureau plat et cartonnier), attributed to Etienne Doirat, are from 1720 to 1732. The settee and chairs belong to the set of two settees and ten chairs whose upholstery covers were woven at Gobelins Manufactory, Paris, probably under the supervision of Jacques Neilson (1714-1788), after design by François Boucher (1703-1770) and Jean-Baptiste Oudry (1733-1755). The covers were woven circa 1779, and the frames are nineteenth century. The screen in the background is a six-panel folding screen (paravent) made at the Savonnerie Manufactory, Chaillot workshop, Paris, after designs by Alexandre-François Desportes (1661-1743), made between 1719 and 1784; the frame is of a later date. On the right is a writing desk (bureau plat), attributed to the Pagoda Master, made circa 1730. On this desk is a sculpture, Diane chasseresse (Diana the Huntress), made by Jean-Antoine Houdon in 1782. Hanging on the wall on the left is a Beauvais tapestry, "La Pipée aux Oiseaux (The Bird Catchers)." MS note on verso reads "HEH residence as art gallery: large library room." Stamp on verso reads "This print is released as a personal courtesy and is not for publication. All syndicate and publication rights reserved. Eyre Powell Press Service."

  photCL 107 fld23 (1)

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  Portrait gallery in the Huntington residence

  Visual Materials

  The portraits on the walls, from left to right: George Romney's Penelope (Rycroft) Lee Acton (1791); Sir Joshua Reynolds' Sarah (Kemble) Siddons as the Tragic Muse (1783-1784); Reynolds' Georgiana (Spencer) Cavendish, Duchess of Devonshire (1775-1776); John Hoppner's Isabella (Ingram) Seymour Conway, Viscountess Beauchamp, later Marchioness of Hertford (circa 1789); Thomas Gainsborough's Henrietta Read, later Henrietta Meares (circa 1777); Gainsborough's The Hon. Anne (Batson) Fane (circa 1782); George Romney's Jeremiah Milles (1780-1783); Gainsborough's Jonathan Buttall: the blue boy (1770). The bronze sculpture beneath "Blue Boy" is Mercure (Mercury) by an unknown foundry, after Antoine Coysevox, made between 1700 and 1710. MS note on verso reads "HEH art gallery: new wing (interior view)."

  photCL 107 fld23 (39)