Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Staff photographing Gainsborough's Jonathan Buttall: the blue boy, in the Huntington residence
Visual Materials
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Four men watch as Dr. Batrig helps the photographer prepare to take a picture. The camera is mounted on a tripod, and artificial lights are on either side of the picture. The painting that is the focus of their photography is Thomas Gainsborough's Jonathan Buttall: the blue boy (1770). Label accompanying photograph in album reads "HEH 25 Apparatus for making exposures for color plates of paintings in New Gallery. Huntington Art Gallery." Photograph appeared in Los Angeles Times article of November 6, 1938. Another version of this is no. 545 Pictures Archives, box 3, folder 5. MS note on verso reads "Photograph of the equipment used for making color separation plates for Life Magazine."
photCL 107 vol13 (25)
Visual Materials
Two couples in 18th century dress in the portrait gallery. One couple, the man standing and the woman sitting, are in front of George Romney's Rose (Gardiner) Milles (1780-1783). The other couple, both standing, are to the left of Thomas Gainsborough's Jonathan Buttall: the blue boy (1770). The bronze sculpture beneath "Blue Boy" is Mercure (Mercury) by an unknown foundry, after Antoine Coysevox, made between 1700 and 1710. Label accompanying photograph in album reads "HEH 28 New Gallery, Huntington Art Gallery. Portraits visible are "The Blue Boy" by Gainsborough, and "Mrs. Jeremiah Milles" by Romney."
photCL 107 vol13 (28)
Visual Materials
Thomas Gainsborough's Anne (Luttrell), Duchess of Cumberland (circa 1777). A couple stands next to the fireplace. Two women and one man are seated at a table playing cards, with a man standing nearby. Label accompanying photograph in album reads "HEH 37 Small drawing room, Huntington Art Gallery, with figures. Same as PCP 12."
photCL 107 vol13 (37)
Visual Materials
The portraits on the walls, from left to right: George Romney's Penelope (Rycroft) Lee Acton (1791); Sir Joshua Reynolds' Sarah (Kemble) Siddons as the Tragic Muse (1783-1784); Reynolds' Georgiana (Spencer) Cavendish, Duchess of Devonshire (1775-1776); John Hoppner's Isabella (Ingram) Seymour Conway, Viscountess Beauchamp, later Marchioness of Hertford (circa 1789); Thomas Gainsborough's Henrietta Read, later Henrietta Meares (circa 1777); Gainsborough's The Hon. Anne (Batson) Fane (circa 1782); George Romney's Jeremiah Milles (1780-1783); Gainsborough's Jonathan Buttall: the blue boy (1770). The bronze sculpture beneath "Blue Boy" is Mercure (Mercury) by an unknown foundry, after Antoine Coysevox, made between 1700 and 1710. MS note on verso reads "HEH art gallery: new wing (interior view)."
photCL 107 fld23 (39)
Visual Materials
The portraits on the wall from left to right: George Romney's Jeremiah Milles (1780-1783); Thomas Gainsborough's Jonathan Buttall: the blue boy (1770) (the bronze sculpture beneath "Blue Boy" is Mercure (Mercury) by an unknown foundry, after Antoine Coysevox, made between 1700 and 1710); Romney's Rose (Gardiner) Milles (1780-1783). MS note on verso reads "HEH art gallery: new wing, c. 1933." Stamp on verso reads "Hiller Studio, 336 So. Hudson, TE. 6904 Pasadena."
photCL 107 fld23 (41)
Image not available
Rare Books
Small printed flyer describing Thomas Gainsborough's portrait "Blue Boy." Probably designed to be handed out to the public or posted during one of the painting's frequent public exhibitions at the British Institution or the Royal Academy throughout the 19th century. Typographic style indicates that it was printed some time in the 1870s. The painting was sold to Henry E. Huntington in November 1921. Prior to its departure to California, "Blue Boy" was put on display in the National Gallery in London in January 1922.
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