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Manuscripts

Lady Elizabeth Parker Fane botanical album 1765-1767

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  • Image not available

    [Red and yellow primrose] "E. Parker"

    Manuscripts

    A botanical album created by Lady Elizabeth Parker Fane; she started painting the illustrations in this album in 1765 which means she was just 14 years old when she began. Flower painting had become a fashionable occupation for the wives and daughters of the great houses of England and Elizabeth Parker Fane achieved exceptional ability under the tutelage of Georg Ehret. The album contains 25 watercolor and gouache paintings on parchment; depicted are both sides of the plant's leaves and also shown are more than one reproductive stage for each specimen: with the early formation of the blossom, the growing petals, and the full expression of the flower. The images in the album depict numerous plant specimens, sometimes with butterflies and other insects, most likely local to the Macclesfield estate, Shirburn Castle, in Oxfordshire. Only a small number of the paintings contain titles, though a few are dated by the artist. The 25 paintings are laid into the volume and the remaining pages are blank. The album is bound in a contemporary, richly gilt morocco wallet binding, with a green silk chemise to wrap top and lower edges; the binding was done by an unidentified binder. The album has a lock and key fastening, though the lock has been deactivated, the key is kept with the companion volume mssHM 84100.

    mssHM 84101

  • Image not available

    [Rowan berries. Sorbus genus]

    Manuscripts

    A botanical album created by Lady Elizabeth Parker Fane; she started painting the illustrations in this album in 1765 which means she was just 14 years old when she began. Flower painting had become a fashionable occupation for the wives and daughters of the great houses of England and Elizabeth Parker Fane achieved exceptional ability under the tutelage of Georg Ehret. The album contains 25 watercolor and gouache paintings on parchment; depicted are both sides of the plant's leaves and also shown are more than one reproductive stage for each specimen: with the early formation of the blossom, the growing petals, and the full expression of the flower. The images in the album depict numerous plant specimens, sometimes with butterflies and other insects, most likely local to the Macclesfield estate, Shirburn Castle, in Oxfordshire. Only a small number of the paintings contain titles, though a few are dated by the artist. The 25 paintings are laid into the volume and the remaining pages are blank. The album is bound in a contemporary, richly gilt morocco wallet binding, with a green silk chemise to wrap top and lower edges; the binding was done by an unidentified binder. The album has a lock and key fastening, though the lock has been deactivated, the key is kept with the companion volume mssHM 84100.

    mssHM 84101

  • Image not available

    [Red rose]

    Manuscripts

    A botanical album created by Lady Elizabeth Parker Fane; she started painting the illustrations in this album in 1765 which means she was just 14 years old when she began. Flower painting had become a fashionable occupation for the wives and daughters of the great houses of England and Elizabeth Parker Fane achieved exceptional ability under the tutelage of Georg Ehret. The album contains 25 watercolor and gouache paintings on parchment; depicted are both sides of the plant's leaves and also shown are more than one reproductive stage for each specimen: with the early formation of the blossom, the growing petals, and the full expression of the flower. The images in the album depict numerous plant specimens, sometimes with butterflies and other insects, most likely local to the Macclesfield estate, Shirburn Castle, in Oxfordshire. Only a small number of the paintings contain titles, though a few are dated by the artist. The 25 paintings are laid into the volume and the remaining pages are blank. The album is bound in a contemporary, richly gilt morocco wallet binding, with a green silk chemise to wrap top and lower edges; the binding was done by an unidentified binder. The album has a lock and key fastening, though the lock has been deactivated, the key is kept with the companion volume mssHM 84100.

    mssHM 84101

  • Image not available

    [A plant in the verbascum genus. Mockmullen?]

    Manuscripts

    A botanical album created by Lady Elizabeth Parker Fane; she started painting the illustrations in this album in 1765 which means she was just 14 years old when she began. Flower painting had become a fashionable occupation for the wives and daughters of the great houses of England and Elizabeth Parker Fane achieved exceptional ability under the tutelage of Georg Ehret. The album contains 25 watercolor and gouache paintings on parchment; depicted are both sides of the plant's leaves and also shown are more than one reproductive stage for each specimen: with the early formation of the blossom, the growing petals, and the full expression of the flower. The images in the album depict numerous plant specimens, sometimes with butterflies and other insects, most likely local to the Macclesfield estate, Shirburn Castle, in Oxfordshire. Only a small number of the paintings contain titles, though a few are dated by the artist. The 25 paintings are laid into the volume and the remaining pages are blank. The album is bound in a contemporary, richly gilt morocco wallet binding, with a green silk chemise to wrap top and lower edges; the binding was done by an unidentified binder. The album has a lock and key fastening, though the lock has been deactivated, the key is kept with the companion volume mssHM 84100.

    mssHM 84101

  • Image not available

    [Might be a wild gofrina: ameranthacae; perhaps Gomphrena globose]

    Manuscripts

    A botanical album created by Lady Elizabeth Parker Fane; she started painting the illustrations in this album in 1765 which means she was just 14 years old when she began. Flower painting had become a fashionable occupation for the wives and daughters of the great houses of England and Elizabeth Parker Fane achieved exceptional ability under the tutelage of Georg Ehret. The album contains 25 watercolor and gouache paintings on parchment; depicted are both sides of the plant's leaves and also shown are more than one reproductive stage for each specimen: with the early formation of the blossom, the growing petals, and the full expression of the flower. The images in the album depict numerous plant specimens, sometimes with butterflies and other insects, most likely local to the Macclesfield estate, Shirburn Castle, in Oxfordshire. Only a small number of the paintings contain titles, though a few are dated by the artist. The 25 paintings are laid into the volume and the remaining pages are blank. The album is bound in a contemporary, richly gilt morocco wallet binding, with a green silk chemise to wrap top and lower edges; the binding was done by an unidentified binder. The album has a lock and key fastening, though the lock has been deactivated, the key is kept with the companion volume mssHM 84100.

    mssHM 84101

  • Image not available

    [Vipers bugloss]

    Manuscripts

    A botanical album created by Lady Elizabeth Parker Fane; she started painting the illustrations in this album in 1765 which means she was just 14 years old when she began. Flower painting had become a fashionable occupation for the wives and daughters of the great houses of England and Elizabeth Parker Fane achieved exceptional ability under the tutelage of Georg Ehret. The album contains 25 watercolor and gouache paintings on parchment; depicted are both sides of the plant's leaves and also shown are more than one reproductive stage for each specimen: with the early formation of the blossom, the growing petals, and the full expression of the flower. The images in the album depict numerous plant specimens, sometimes with butterflies and other insects, most likely local to the Macclesfield estate, Shirburn Castle, in Oxfordshire. Only a small number of the paintings contain titles, though a few are dated by the artist. The 25 paintings are laid into the volume and the remaining pages are blank. The album is bound in a contemporary, richly gilt morocco wallet binding, with a green silk chemise to wrap top and lower edges; the binding was done by an unidentified binder. The album has a lock and key fastening, though the lock has been deactivated, the key is kept with the companion volume mssHM 84100.

    mssHM 84101