Visual Materials
Maynard Parker Home Movie: April 2 - May 10, 1961
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Maynard Parker Home Movie: Photographing 1957-1962
Visual Materials
This film depicts Maynard Parker at work on various assignments for House Beautiful and other clients, including Ford Times. Footage includes Parker and others staging shoots in preparation for photographing. The film is spliced together from trips taken over six years of work. The places shown in this film include: Maynard Parker residence in Echo Park, Los Angeles; Carmel (James Residence #1436); Alcatraz, San Francisco; Palm Springs (Thomas Davis residence #1393; El Dorado Country Club #1923); Scottsdale, Arizona (Charles Montooth residence #1501); Taliesin West with Anne Parker, Carolyn Murray and various unidentified people; Hearst Castle; Alamo, Texas; Aldon Dow residence, Michigan (#1384); Model home designed by Ladd and Kelsey in Laguna Niguel, California (#0620); Mazatlan. People include: Maynard Parker photographing and setting up equipment, including one scene in which he is on a forklift; Annie Parker; Carolyn Murray; Robert and Jean Stanton; Douglas Baylis; Joe Howland; Edward Huntsman-Trout; T.H. Robsjohn-Gibbings.
photCL MLP 4166
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Maynard L. Parker negatives, photographs, and other material
Visual Materials
Maynard L. Parker negatives, photographs, and other material consists of 58,093 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums (spiral bound and mounted books of photographs created for clients); and 17 boxes of office records, dated 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architects Frank L. Anderson and Cliff May, and photographers André Kertész, Fred R. Dapprich, and Parker's assistant, Charles E. Yerkes. Parker's documentation of the work of architects and interior designers is extensive, and provides a comprehensive overview of the projects of many nationally-recognized figures as well as many lesser known firms and individuals, especially those working in and around California, Arizona, and Texas. See Architect/Designer/Builder Index for a complete list of individuals and firms represented in the archive. Parker's commissions for House Beautiful are well documented in the archive. Included is a comprehensive overview of the work of architects, landscape architects, and interior designers covered by, and promoted in, the magazine. Also included are examples of party and holiday decorations, decorative accessories, and housewares in domestic settings. Parker's non-residential work for the magazine documents home and garden exhibitions, hotels, and furniture in showrooms. Primary among these projects is the extensive documentation of the Arts of Daily Living Exhibition held at the 1954 Los Angeles County Fair. Parker also extensively documented House Beautiful's annual Pace Setter House series, residential work for a number of the magazine's editors and contributing staff, and residences across the country and in Mexico. Parker's projects created outside the scope of his House Beautiful commissions document both residential and non-residential work created for specific clients. See Client Index for a complete list of names and project numbers. Many projects do not have readily identifiable clients. These include the homes of many entertainers, movie directors, businessmen, writers and journalists, as well as model homes and housing developments including La Veta Woods in Orange, CA; a Kaiser Community Homes development; Lakewood Plaza in Long Beach, CA; Marlow-Burns & Company developments; and Olivewood Housing Project in National City, CA; as well as commercial buildings (retail and office spaces), hotels, restaurants, military bases, furniture showrooms, wallpaper, and jewelry. Geographically, Parker's photography covers much of the continental United States, Hawaii, and parts of Mexico and Canada. It is especially strong in depictions of residential and non-residential projects in California (specifically the greater Los Angeles area), Arizona (especially Phoenix and Tucson), and Texas, but also includes projects in at least 28 other states. Parker's office records consist of correspondence, notes, tear sheets, printed ephemera, logs, date books, and financial records created and received by Parker, Charles E. Yerkes, his photographic assistant, and Annie Parker, his wife and office assistant. These records describe the day-to-day business operations of Parker's photographic studio. The correspondence, primarily business in nature, consists of requests for commissions, instructions to Parker from clients, and other information about assignments. One significant aspect of these records is a folder of letters addressed to Parker from House Beautiful editor Elizabeth Gordon, dated 1942-1944, which details their business relationship and working methods.
photCL MLP
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Stand selling guides to movie stars' homes. By Burton Burt
Visual Materials
The collection consists of 3511 photographs, negatives and ephemeral items circa 1850s-1982 covering a wide breadth of subject matter. The collection includes images of Los Angeles streets and city views; neighborhoods (including Olvera Street, the Plaza, and Chinatown); Los Angeles office buildings and blocks, municipal buildings and facilities (including city halls, court houses, federal buildings, and postal facilities); Los Angeles County communities (including Culver City; Beverly Hills; Watts; Compton; the Hollywood/Cahuenga area; Mt. Washington; Redondo Beach; Hermosa Beach; Venice Beach; Santa Monica; San Pedro; Wilmington; Long Beach; Burbank; Glendale and the San Fernando Valley; Pasadena and the San Gabriel Valley; Avalon and Santa Catalina Island); San Gabriel and San Bernardino Mountains; San Diego, Orange, Riverside, San Bernardino, and San Francisco Counties; Los Angeles County homes, residential buildings, and gardens; Los Angeles parks; Los Angeles, Orange, and Riverside County schools, colleges and universities; Los Angeles County churches and synagogues; Los Angeles area country clubs; hotels and theaters in Los Angeles, Riverside, San Diego, San Bernardino Counties, and the city of San Francisco; and Los Angeles County department stores, newspaper buildings, storefronts, and restaurants. General subjects represented in the collections include industry and manufacturing (including iron and steelworks; brick and terracotta; the motion picture industry; and the clothing trade); agriculture; mining and other extractive industries; infrastructure (including dams and roads, and photographs taken for Caltrans documenting the construction of the Pasadena Freeway, also known as the Arroyo Seco Historic Parkway); water and power (including photographs depicting the irrigation of the San Fernando Valley in the 1910s); transportation; sports and leisure activities (including images depicting the 1932 Olympics in Los Angeles); fairs and expositions (including trade and industrial fairs; the Panama Pacific Exposition; the California Pacific International Exposition; the Lewis and Clark Centennial Exposition; and the Alaska-Yukon-Pacific Exposition); fiestas and parades (including the Fiesta de Los Angeles, the Fiesta de las Flores, and the Pasadena Tournament of Roses), circuses and circus wagons; missions in California, the Southwest United States, and Mexico; and California adobes and ranchos. Miscellaneous images include national and state parks; the California Gold Rush and mining towns; the armed forces in California; native and indigenous culture; local flora, including trees; unidentified people; unidentified scenery; documents; maps; and a small grouping of ephemera pertaining to the Wilshire Boulevard Miracle Mile. The collection includes photographs produced by 141 identified photographic studios, photographers, and publishers including Blanchard; Cromwell and Westervelt; Frasher's Studio; Garden City Foto; Harold W. Grieve, T.E. Hecht; William Henry Hill; Keystone Photo Service; Luckhaus; Charles F. Lummis; F.H. Maude; Harold Parker; Putnam Studios; F.H. Rogers; Julius Shulman; Spence Airplane Photos; Stagg; A. Sturtevant; Carleton Watkins; and "Dick" Whittington Studio. There are also photographs made by or for companies including American Trona Corporation; Douglas Aircraft; Estelle Mines Corporation; Metro-Goldwyn-Mayer; Paramount Pictures; Selznick International Pictures; Studebaker Corporation; Union Pacific Railroad; and United Artists. Images produced and compiled by the Federal Writers' Project Southern and Northern California branches include photographs by Viroque Baker, Horace Bristol, Burton Burt, Fred William Carter, Fred R. Dapprich, Luckhaus Studios, Julius Shulman, and Art Streib.
photCL 400 volume 1
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Souvenir of a trip to the Pacific Coast
Visual Materials
Souvenir photograph album with 56 photographs documenting a trip by the Board of Managers of the National Home for Disabled Volunteer Soldiers to visit possible locations for a Pacific branch, beginning on November 10, 1887, in Dayton, Ohio. Major stops along the trip were Dayton, Ohio; Milwaukee, Wisconsin; Omaha, Nebraska; Ogden, Utah; Salt Lake City, Utah; San Francisco, California; Los Angeles, California; San Diego, California; and Las Vegas, Nevada. The collection includes photographs taken in the San Francisco Bay area, Monterey, Pasadena, San Diego, Santa Barbara, Hesperia, and Joshua Tree. Some of the photographs feature veterans of the American Civil War, including Generals John C. Black, William B. Franklin, Thomas W. Hyde, Marsena R. Patrick, and California Governor George Stoneman, while others include views of the flora and natural landscapes, Native Americans selling wares near the railroad, and construction and construction camp of the Sweetwater Dam in San Diego County, California.
photCL 16
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Plat of Road Allowance between Sections land 12, 2 and 11, 3 and 10, T1S,R10W, SBM
Manuscripts
Collection of maps surveyed for the Los Angeles County Assessor's Office between 1860 and 1897. The maps primarily focus on excavations, improvements, and expansions of roads throughout Los Angeles, San Bernardino, and Orange Counties, with geographic coverage ranging from Malibu to Pomona and Newhall to San Juan Capistrano. Most of the maps show boundary lines of the various Ranchos existent throughout these counties, and many also include buildings, railroads, telegraph lines, land use, relief, and elements of the natural landscape such as canyons and rivers. Also included are maps showing the San Gabriel Mission, San Juan Capistrano Mission, and an elevation of the Los Angeles County court house. Some of the Ranchos depicted include San Antonio, Azusa, San Jose, Los Nogales, San Pedro, San Joaquin, San Rafael, Centinela, La Puente, Sausal Redondo, La Ballona, Rodeo-de-las-Aguas, Cienega, San Pasqual, and San Francisquito. Property shown includes that of Elias 'Lucky' Baldwin, Pio Pico, and Abel Stearns. The maps were originally housed in 16 bound volumes.
LARM_Vol_01_01.01
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Manuscript letter from Manuel Dominguez, 1862 [written in Spanish]; 2 postcards from Bruce Condé (Alfonso de Bourbon Condé) to Ana Bégué de Packman [one written in Spanish]; Letter from C.E. Parker to Ana Bégué de Packman
Visual Materials
The majority of the Ana Bégué de Packman collection consists of portraits of Southern California rancho families and their descendants, as well as photographs of the town of San Juan Capistrano and its environs, including Mission San Juan Capistrano and the adobe houses surrounding the mission. Also included are photographs, correspondence, maps, ephemera, and newspaper clippings related to Southern California ranchos and the Spanish-Mexican families who owned them, as well as Los Angeles during the late 1800s. Photographers include: Charles C. Pierce, Charles J. Prudhomme, Charles C. Puck, and Edward Vischer. A small number of the California rancho families are pictured in both professional and amateur portraits, with a focus on the Dominguez, Machado, Sepulveda, and Yorba families. Other portraits include those of Los Angeles mayors and pioneers, such as Matthew Keller, Cameron Erskine Thom, and Elijah H. Workman. Photographs of Mission San Juan Capistrano show the mission complex in ruins, with views of the church, courtyard, bell tower, and outside workspaces. The interior of the restored Serra Chapel are also shown, with an emphasis on the altarpiece and its statuary. Other missions that are shown in the collection are Missions Santa Barbara, San Antonio de Padua, and San Gabriel Arcangel. Another emphasized portion of the collection concerns adobe houses, specifically ones that are or had been located in the western and southern parts of San Juan Capistrano. Among these adobes are the Blas Aguilar Adobe, Casa de Los Rios, the Burruel Adobe, the Manuel Garcia Adobe, and the Domingo Yorba Adobe. Other Southern California adobes that are also included are the Yorba-Slaughter Adobe, the Dana Adobe, and the Workman-Temple Homestead. Oversized photographs show La Iglesia de Nuestra Señora Reina de Los Angeles (Plaza Church) and the statue of Felipe de Neve in Los Angeles Plaza. An interesting photograph of Plaza Church shows Don Antonio F. Coronel surveying the church exterior. Another photograph relating to the Los Angeles area is one of the Beverly Hills Centennial Parade with Eugene W. Biscailuz, Leo Carrillo, and William Boyd on horseback. Of particular interest are two tintypes related to photographer Charles J. Prudhomme. The first is of his mother, Maria Merced Tapia de Prudhomme, and the other is of Prudhomme's daughter. The rest of the collection contains correspondence, maps, notes, ephemera, and negatives. Noteworthy items from these materials include: a manuscript letter written by Manuel Dominguez; postcards from Bruce Condé (Alfonso de Bourbon Conde) to Ana Bégué de Packman; death notices for Isaac Williams and Henry Mellus; a glass plate negative of Horton House in San Diego; a film negative of Juan Bandini and his daughter Ysidora; and an index book with the names of rancho families written in Packman's hand. Photographs with corresponding film negatives are: (12), (26), and (29).
photCL 400 volume 33