Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
"Kitty" set
- Description
- Views of the sets for the movie directed by Mitchell Leisen.
- Date
- 1945
- Call number
- photCL MLP 3611
Visual Materials
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
Maynard L. Parker negatives, photographs, and other material consists of 57,893 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums; and 17 boxes of office records, 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architect Cliff May and Parker's assistant, Charles Yerkes.
photCL MLP
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Manuscripts
Bound mimeograph script for the movie "Our Wife," directed by John M. Stahl, 1941.
mssHM 80476
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Visual Materials
Views of various place settings for one.
photCL MLP 3140
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Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487