Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Pedro Lugo standing at the base of an exterior staircase next to a screened door.
photCL Pierce 08477
Image not available
Visual Materials
The Olive Percival Collection of Photographs contains approximately 875 photographs of California and Mexico, chiefly cyanotype snapshots and gelatin silver prints of locations in Los Angeles and environs and Mexico City, taken chiefly by Olive Percival (1869-1945) from approximately 1880-1941; many of the photographs contain captions written on versos by Percival. The photographs of California depict San Pedro scenes; Chinatowns in Los Angeles and San Francisco; exterior and interior views of Percival's home, collections, and garden; and cemeteries in Los Angeles. The collection also includes two sepia portraits of Percival as a young woman; one photograph of Percival with her mother; images of Indian basket collections that she used in writing articles; and photographs depicting various people and locations, chiefly in Los Angeles and environs, taken by Percival and by commercial photographers, including a set of studio portraits featuring various sitters. Photographs of Mexico depict various views of Mexico City and other areas of Mexico, including Juarez; Toluca; Guadalupe; Teotihuacan; Tocuba; Vera Cruz; Texcoco; Tlaxcola; and other locations.
photCL 217
Visual Materials
View of a two story adobe house with a second story veranda and two chimneys. People are posing in front of the house, outside the ground floor, and on the upstairs veranda. There is a buggy parked outside the picket fence which surrounds the garden.
photCL Pierce 07904
Visual Materials
Photograph of a painting of Don Pedro Lugo on horseback
photCL Pierce 08469
Visual Materials
View of the Los Angeles Plaza in downtown Los Angeles, California, in the foreground behind an iron fence, with a row of buildings, beyond, including the Lugo House obscured by a tree, and storefronts, some with signs for a shoemaker, and the L.A. City Water Co. A man stands on a walkway near a fountain in the landscaped plaza with a hose watering the lawn and plants.
photPF 23719
Image not available
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555