Visual Materials
Southern Pacific Locomotive, C.P. Huntington
You might also be interested in
Spanish Dancers led by Joe Rivera "Los Camolas"
Visual Materials
A group of men and women in Spanish dress dancing on a lawn with two musicians on the right.
photCL Pierce 01359
Image not available
Arizona and Views Adjacent to the Southern Pacific Railroad
Rare Books
The photographs in this album were made in 1880, mostly in Arizona Territory, with occasional views in California. They include mining sites, depots and bridges of the Southern Pacific Railroad, towns, desert landscapes, cactus, and the Spanish colonial mission San Xavier del Bac. Mining scenes are mostly overviews showing buildings, mine shafts, stamping mills, equipment, water reservoirs, and workers. There are several views of the Contention, Tough-nut and Lucky Cuss mines of the Tombstone Mill and Mining Company, established by prospector Edward Schieffelin, the founder of Tombstone, Arizona. A scene of the railroad roundhouse in Yuma prominently features a large locomotive with Native Americans and others posed next to the engine and an engine house in the background. There are a series of views of the railroad bridge over the Colorado River at Yuma that includes views of the U.S. Army's Fort Yuma on the California side of the river, along with Native American huts near the river. A group of unidentified men in western garb are posed in front of the Yuma railroad office, and a few figures and railcars are shown at Dos Palmas Station in the Colorado Desert. Other subjects include a bird's-eye-view of Tucson; architectural details and an interior view of Mission San Xavier del Bac; prehistoric stone ruins at Casa Grande; and a few railroad crossings.
137500; 137501; 137502; 137503
Arizona and Views Adjacent to the Southern Pacific R. R
Rare Books
An album of 46 mammoth plate photographs by Carleton E. Watkins (1829-1916) depicting scenes in Arizona Territory and California, 1880. They include mining sites, depots and bridges of the Southern Pacific Railroad, towns, desert landscapes, cactus, and the Spanish colonial mission San Xavier del Bac. Mining scenes are mostly overviews showing buildings, mine shafts, stamping mills, equipment, water reservoirs, and workers. There are several views of the Contention, Tough-nut and Lucky Cuss mines of the Tombstone Mill and Mining Company, established by prospector Edward Schieffelin, the founder of Tombstone, Arizona. A scene of the railroad roundhouse in Yuma prominently features a large locomotive with Native Americans and others posed next to the engine and an engine house in the background. There are a series of views of the railroad bridge over the Colorado River at Yuma that includes views of the U.S. Army's Fort Yuma on the California side of the river, along with Native American huts near the river. A group of unidentified men in western garb are posed in front of the Yuma railroad office, and a few figures and railcars are shown at Dos Palmas Station in the Colorado Desert. Other subjects include a bird's-eye-view of Tucson; architectural details and an interior view of Mission San Xavier del Bac; prehistoric stone ruins at Casa Grande; and a few railroad crossings.
RB 137503
Sculpture of Diana on the loggia of the Huntington residence
Visual Materials
In the southwest corner of the loggia, with the south terrace in the background. Label accompanying photograph in album reads "HEH 3 "Diana," by René Frémin, terra cotta figure, dates 1717. On loggia, Huntington Art Gallery."
photCL 107 vol13 (3)
Image not available
Southern Pacific Railroad locomotives; Newhall tunnel
Visual Materials
The collection consists of approximately 6,700 photographs, which includes photographic prints and 4 x 5 inch and smaller glass negatives, glass positives, film negatives and lantern slides depicting Southern California (mainly Los Angeles and nearby communities). The collection provides quite a comprehensive picture of the growth and development of Los Angeles at the turn of the twentieth century. The smaller format items are mostly copy negatives (not originals) taken by Ellis of images in other collections. Ellis copied the photographic holdings of, among others, Bancroft, Behrendt, Tyler, Hill, Ingersoll, Forman, Rowan, Foxley, Guinn, Fryer, A.W. Francisco, McPherson, Charles Prudhomme and William Burton. The collection is particularly strong in images of Central Los Angeles from the 1880s to the 1910s and Los Angeles County beach communities in the 1900s and 1910s. Also of note are images of sites and themes of historic or cultural significance, and portraits. In addition to images of central Los Angeles, the collection includes images of Los Angeles County beach communities, Pasadena and the San Gabriel Valley, and Orange, Ventura, San Bernardino and San Diego Counties. The historic and cultural sites include photographs of missions and churches; commercial, municipal and residential buildings, including historic adobes; schools and parks; railroads, emigration, and stagecoach routes; Campo de Cahuenga; Busch Gardens in Pasadena; the Modjeska home in Santa Ana; the Lake Vineyard, Sunnyslope, and the Rowland properties in the San Gabriel Valley; and images of Native Americans and Native American culture. Portraits include those of California pioneers, prominent Angelinos and San Diegans, including J. Lancaster Brent, George Horatio Derby, Hillard Dorsey, the Ellis Family, Judge A.J. King and family, Vicente Lugo, Charles Prudhomme, Truman H. Rose, William Rubottom, Abel Stearns, 1st Worshipful Master of the California Masonic Lodge Levi Stowall, and the Workman family. Some of the 4 x 5 inch and smaller glass negatives and lantern slides depict historic sites of Northern California, including mining camps of the California Gold Rush. There are also miscellaneous images pertaining to themes with no direct relationship to California or the American West, such as Freemasonry and general United States history. The United States history images include copies of Abraham Lincoln portraits and the Lincoln home in Kentucky as well as early American figures including George Washington and Benjamin Franklin.
photCL 188
Image not available
Southern Pacific Railroad locomotives, Newhall tunnel
Visual Materials
The collection consists of approximately 6,700 photographs, which includes photographic prints and 4 x 5 inch and smaller glass negatives, glass positives, film negatives and lantern slides depicting Southern California (mainly Los Angeles and nearby communities). The collection provides quite a comprehensive picture of the growth and development of Los Angeles at the turn of the twentieth century. The smaller format items are mostly copy negatives (not originals) taken by Ellis of images in other collections. Ellis copied the photographic holdings of, among others, Bancroft, Behrendt, Tyler, Hill, Ingersoll, Forman, Rowan, Foxley, Guinn, Fryer, A.W. Francisco, McPherson, Charles Prudhomme and William Burton. The collection is particularly strong in images of Central Los Angeles from the 1880s to the 1910s and Los Angeles County beach communities in the 1900s and 1910s. Also of note are images of sites and themes of historic or cultural significance, and portraits. In addition to images of central Los Angeles, the collection includes images of Los Angeles County beach communities, Pasadena and the San Gabriel Valley, and Orange, Ventura, San Bernardino and San Diego Counties. The historic and cultural sites include photographs of missions and churches; commercial, municipal and residential buildings, including historic adobes; schools and parks; railroads, emigration, and stagecoach routes; Campo de Cahuenga; Busch Gardens in Pasadena; the Modjeska home in Santa Ana; the Lake Vineyard, Sunnyslope, and the Rowland properties in the San Gabriel Valley; and images of Native Americans and Native American culture. Portraits include those of California pioneers, prominent Angelinos and San Diegans, including J. Lancaster Brent, George Horatio Derby, Hillard Dorsey, the Ellis Family, Judge A.J. King and family, Vicente Lugo, Charles Prudhomme, Truman H. Rose, William Rubottom, Abel Stearns, 1st Worshipful Master of the California Masonic Lodge Levi Stowall, and the Workman family. Some of the 4 x 5 inch and smaller glass negatives and lantern slides depict historic sites of Northern California, including mining camps of the California Gold Rush. There are also miscellaneous images pertaining to themes with no direct relationship to California or the American West, such as Freemasonry and general United States history. The United States history images include copies of Abraham Lincoln portraits and the Lincoln home in Kentucky as well as early American figures including George Washington and Benjamin Franklin.
photCL 188