Visual Materials
150. Colfax, looking East, Cape Horn 4 miles, and Giant's Gap 20 miles distant
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150. Colfax, looking East, Cape Horn 4 miles, and Giant's Gap 20 miles distant
Visual Materials
This collection contains 372 stereographic photographs (including some variants and duplicates) by photographer A. A. Hart that document the construction of the western half of first transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. The collection includes all but seven of the original series, numbered from 1 to 364 by Hart (lacking 193, 323, 333, 358, 359, 362, and 364). The images chronicle the advancement of the railroad over 742 miles in California and the Sierra Nevada Mountains, Nevada, and Utah. The majority of the photographs are views of mountains, lakes, rivers, and forested areas (some with stumps from clear-cutting in the foreground), often with railroad tracks running through the center of the images. In addition, there are also images of locomotives, Chinese and other workers, equipment, bridges, tunnels, frontier and mining towns, construction camps, as well as some images of Native Americans, including Paiute and Shoshone Indians. The stereographs primarily contain Hart's own Sacramento imprint with series titles including: "Scenes in the Sierra Nevada Mountains"; "Scenes in the Valley of the Sacramento"; "Scenes in the Washoe Range"; "Scenes on the Humboldt River"; and "Scenes near Great Salt Lake". Interspersed in the collection are stereographs published without credit to Hart by Frank Durgan and Carleton E. Watkins.
photCL 184
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Colfax looking West - Cape Horn and Giant's Gap
Visual Materials
Hart #150
photCL 74
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57. Excursion Train at Cape Horn. 3 miles above Colfax
Visual Materials
This collection contains 372 stereographic photographs (including some variants and duplicates) by photographer A. A. Hart that document the construction of the western half of first transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. The collection includes all but seven of the original series, numbered from 1 to 364 by Hart (lacking 193, 323, 333, 358, 359, 362, and 364). The images chronicle the advancement of the railroad over 742 miles in California and the Sierra Nevada Mountains, Nevada, and Utah. The majority of the photographs are views of mountains, lakes, rivers, and forested areas (some with stumps from clear-cutting in the foreground), often with railroad tracks running through the center of the images. In addition, there are also images of locomotives, Chinese and other workers, equipment, bridges, tunnels, frontier and mining towns, construction camps, as well as some images of Native Americans, including Paiute and Shoshone Indians. The stereographs primarily contain Hart's own Sacramento imprint with series titles including: "Scenes in the Sierra Nevada Mountains"; "Scenes in the Valley of the Sacramento"; "Scenes in the Washoe Range"; "Scenes on the Humboldt River"; and "Scenes near Great Salt Lake". Interspersed in the collection are stereographs published without credit to Hart by Frank Durgan and Carleton E. Watkins.
photCL 184
East cape entrance to Behring Straits. 20 miles distant
Visual Materials
Image of the East Cape entrance to the Bering Strait.
photCL 131 (210)
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East cape entrance to Behring [Bering] Straits. 20 miles distant
Visual Materials
The 282 photographic prints in this collection document voyages of the United States Revenue Cutters "Bear," "Corwin," and "Richard Rush" to Alaska and the Arctic Ocean in the 1880s and 1890s. The images depict the boats, Captain Michael A. Healy, Frank A. Healy (Healy's son), the crewmen of the afore-mentioned revenue cutters; Alaskan natives and their homes; and various views of the Alaskan wilderness and towns. The collection provides insight into the people and events the "Bear" and "Corwin" encountered on their voyages while under the command of Healy. The collection also depicts Alaskan native graves; missionaries; whaling ships; ice fields in the Arctic Ocean; J.B. Vincent, a survivor of the shipwrecked "Napoleon"; Francis "Frank" Fuller, murderer of Archbishop Charles John Seghers; Alaskan native umiaks and various artifacts; and reindeer stations. Photographers who contributed to this collection include H.W. Bradley, Edward DeGroff, Lt. C.D. Kennedy of the USRC Maine, Geoff Knight, William H. Rulofson, and I.W. Taber. See also photCL 97 for related photographs concerning the "Corwin". The photographs were originally part of the Huntington's Manuscripts collection for Papers of Michael A. Healy, 1881-1900, call number mssHM 47577-47618.
photCL 131
