Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108

Visual Materials
A street view of the house at 304 Oaklawn Drive in South Pasadena, taken for W.J. Woolston. The house has a shingled exterior which is partially covered by climbing vines.
photCL 402 (29823)

Visual Materials
A view of a house on Oaklawn Drive in South Pasadena. It is a large, multistory house with numerous windows, surrounded by trees. The photograph is taken from a lower, fenced-in area (possibly a tennis court?).
photCL 402 (29502)

Visual Materials
A street view of Oaklawn Drive in South Pasadena, focusing on a large, multistory house that is screened from the road by tall pine trees.
photCL 402 (29500)

Visual Materials
A view of a garden on Oaklawn Drive in South Pasadena. The garden has a pond, bridges, large trees covered in ivy, and a bench. The adjacent house is visible on the far right.
photCL 402 (29501)

Visual Materials
A view of a garden on Oaklawn Drive in South Pasadena. The garden has a pond with a waterfall, bridges, large trees covered in ivy, and a bench.
photCL 402 (29503)
Image not available
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402