Citizens Saving Bank, corner of East Colorado and Marengo, Pasadena. 1925

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  East Colorado from South Marengo, Pasadena. 1928

  Visual Materials

  Elevated view of East Colorado looking east from South Marengo, from the fourth floor of Mather's Department Store. The street below is busy with traffic and lined with parked automobiles. The Los Angeles First National Trust & Savings Bank is immediately across the street. Businesses visible in the distance include the Model Grocery Co. and the Pasadena Furniture Company.

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  Constance Hotel, 940 East Colorado, Pasadena. 1941

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  Street view of the Constance Hotel at 940 East Colorado. A seven story building with a balcony on the second floor at the front of the building. A woman stands by a mail box near an entrance marked "Cocktails". Two automobiles are parked along the other visible side of the building.

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  Pasadena. Citizens Bank. 225 East Colorado. Sign on Citizens Savings Bank (Marengo and Colorado)

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

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  M.E. Church, corner of Colorado St. & Marengo Ave. [Pasadena]. Looking east

  Visual Materials

  Bird's eye view of Pasadena, California, looking east from the Methodist Episcopal church at Colorado and Marengo streets, with citrus trees and homes visible.

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  Pasadena. Citizens Bank. 225 East Colorado. Northeast corner Marengo and Colorado

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

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• Image not available

  Pasadena. Citizens Bank. 225 East Colorado. Exterior, corner shot, corner Marengo and Colorado

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

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