Essex Coupe and group in front of Warner's Egyptian Theatre, 2316 East Colorado, Pasadena. 1929

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  Essex Roadster in front of Warner's Egyptian Theatre, 2316 East Colorado, Pasadena 1929

  Visual Materials

  Essex Roadster in front of Warner's Egyptian Theatre at 2316 E. Colorado. A young woman sits in the driver's seat of the automobile, while a young man leans on the driver's side door. The marquee of the theater reads "Crin' Griffith in Saturday's Children". Hart Players in "The Spieler"."

  photCL 402 (31890)

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  Three Essex automobiles in front of Warner's Egyptian Theatre, 2316 East Colorado, Pasadena. 1929

  Visual Materials

  Three Essex automobiles parked at an angle in front of Warner's Egyptian Theatre at 2316 East Colorado. A woman and three men stand next to the vehicles. The theater marquee reads "Belle Baker the female Al Jolson and Ralph Graves in "The song of love"."

  photCL 402 (32487)

• Image not available

  Pasadena. 2316 East Colorado. Three Essex automobiles in front of Warner's Egyptian Theatre

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

  photCL 402

• Image not available

  Pasadena. 2316 East Colorado. Three Essex automobiles in front of Egyptian Theatre

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

  photCL 402

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  Strand Theatre, 340 East Colorado, Pasadena. 1929

  Visual Materials

  Street view of the Strand Theatre at 340 East Colorado, between Garfield and Euclid. The marquee reads "Now playing. "The Awakening" with Vilma Banky. Charley Chase in "Is everybody happy"." The adjacent businesses are the New York Hat Store and National Shirt Shop. Automobiles and a truck are parked outside on the street. The negative has been damaged.

  photCL 402 (31928)

• Image not available

  Essex Coupe automobile and group in front of Egyptian Theatre

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

  photCL 402