Visual Materials
Chrysler sedan advertising for the Elks National Convention in Seattle. 1931
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Chrysler sedan advertising for the Elks National Convention in Seattle. 1931
Visual Materials
Two men stand next to a Chrysler sedan, an Evergreen pictorial travelogue car, with an advertisement for the 1931 Elks National Convention in Seattle. The images on the side of the car are photographs of rural and urban landmarks.
photCL 402 (33445)
Image not available
Automobile advertising Elks Convention in Seattle, 1931 (probably a Chrysler)
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
Image not available
Chrysler sedan automobile (Evergreen pictorial travelogue automobile) with side painted with advertisement for Elks National Convention in Seattle
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402

Essex Sedan at Gay's Lion Farm, El Monte. 1926
Visual Materials
An Essex Sedan with a 1925 license, parked outside of Gay's Lion Farm in El Monte, California. A man sits on a stone block next to a lion statue.
photCL 402 (28256)

Earley Bassett Chrysler/Plymouth, 362 West Colorado, Pasadena. 1929
Visual Materials
Street view of the Earley Bassett Chrysler/Plymouth dealership at 362 West Colorado. Along the street there is a long showroom with automobiles on display in the windows. The entrance to the shop in back is visible on the right. There is one car parked on the street in front of the dealership.
photCL 402 (31551)
Image not available
Chrysler 8 sedan automobile
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402