Visual Materials
Apartment building, 4643 Los Feliz, Los Angeles. 1929
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Apartment building entrance and stairs, 4643 Los Feliz, Los Angeles. 1929
Visual Materials
Interior view of the entrance and stairs in the apartment building at 4643 Los Feliz. The room is carpeted, furnished with chairs and a table, and is decorated with a vase, a floral arrangement, and candle and light holders that match the metalwork railing on the stairs.
photCL 402 (32439)

Apartment living room, 4643 Los Feliz, Los Angeles. 1929
Visual Materials
Interior view of a living room in the apartment building at 4643 Los Feliz. The room is carpeted, and furnished with chairs, a couch, and end tables. There are large windows with the curtains open at the far end of the room.
photCL 402 (32438)

Apartment building, 4643 Los Feliz, Los Angeles. 1929
Visual Materials
Street view of the apartment building at 4643 Los Feliz. The stairs are semi-enclosed, and metal railing is used decoratively.
photCL 402 (32434)

The Radio Store, 564 East Colorado, Pasadena. 1929
Visual Materials
Interior of the Radio Store at 564 East Colorado. The room is furnished with cabinets for the radios, padded chairs and benches, and a sofa.
photCL 402 (31989)

Strand Theatre, interior view, 340 East Colorado, Pasadena. 1924
Visual Materials
Interior of the Strand Theatre at 340 East Colorado. The room is furnished with padded chairs and benches and decorated with large flower arrangements in baskets and as a wreath.
photCL 402 (25781)
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Los Angeles. 4643 Los Feliz. Interior view in apartment building
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402