Skip to content

OPEN TODAY: 10 A.M.–5 P.M.

Tickets

Visual Materials

Stearns-Knight 8 automobile, East Colorado, Pasadena. 1927



You might also be interested in

  • Pierce Arrow Series 33 brougham automobile. 1924

    Pierce Arrow Series 33 brougham automobile. 1924

    Visual Materials

    Automobile parked in front of unidentified Spanish-style residence. A young man sits in the driver's seat while an older man with a cane stands beside the car with his hand on the back door handle.

    photCL 402 (25926)

  • Essex Roadster in front of Warner's Egyptian Theatre, 2316 East Colorado, Pasadena 1929

    Essex Roadster in front of Warner's Egyptian Theatre, 2316 East Colorado, Pasadena 1929

    Visual Materials

    Essex Roadster in front of Warner's Egyptian Theatre at 2316 E. Colorado. A young woman sits in the driver's seat of the automobile, while a young man leans on the driver's side door. The marquee of the theater reads "Crin' Griffith in Saturday's Children". Hart Players in "The Spieler"."

    photCL 402 (31890)

  • Gardner Pasadena Sales Company, 163 West Colorado, Pasadena. 1927

    Gardner Pasadena Sales Company, 163 West Colorado, Pasadena. 1927

    Visual Materials

    Street view of Gardner Pasadena Sales Company at 163 West Colorado. A man sits in the drivers seat of a parked automobile while two men stand beside it. A sign on the building reads "Used car dept. in rear".

    photCL 402 (29496)

  • Image not available

    Pasadena. East Colorado. Stearns-Knight 8 automobile

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Image not available

    Pasadena. East Colorado. Stearns-Knight 8 automobile

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Image not available

    Pasadena. East Colorado. Stearns-Knight 8 automobile

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402