Visual Materials
Harold A. Parker Studio window display, 576 East Colorado, Pasadena. 1929
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Harold A. Parker Studio, 576 East Colorado, Pasadena. 1929
Visual Materials
Street view of the Harold A. Parker Studio at 576 East Colorado. Displays in the window show off photographic work and supplies. The business next to this is a linen shop, then a vacant storefront instructing interested parties to ask Harold A. Parker for information about renting.
photCL 402 (31803)

Harold A. Parker Studio, 576 East Colorado, Pasadena. 1929
Visual Materials
Street view of the Harold A. Parker Studio at 576 East Colorado. Displays in the window show off photographic work and supplies. The business next to this is a linen shop, then a vacant storefront instructing interested parties to ask Harold A. Parker for information about renting.
photCL 402 (32193)
Image not available
Pasadena. 576 East Colorado. Window display at Christmas, Harold A. Parker Studio, 576 East Colorado
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
Image not available
Pasadena. Harold A. Parker Studio. 576 East Colorado. Window display at Harold A. Parker Studio for new Brownie camera
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402

Harold A. Parker Studio, 479 East Colorado, Pasadena. 1939
Visual Materials
The interior of the Harold A. Parker Studio at 479 East Colorado. Holiday cards crown the table in the center of the room and fill the card racks on the right. Numerous cameras are on display on cabinets and in glass cases. Samples for framing hang on the wall on the left.
photCL 402 (35886)
Image not available
Pasadena. Harold A. Parker Studio. 576 East Colorado. Exterior
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402