Skip to content

OPEN TODAY: 10 A.M.–5 P.M.

Tickets

Visual Materials

Front view of one story house, 435 Alameda, Pasadena. 1925



You might also be interested in

  • Front view of one story house, 146 North Hill, Pasadena. 1925

    Front view of one story house, 146 North Hill, Pasadena. 1925

    Visual Materials

    Street view of Pacific Ready-Cut System at 146 North Hill. An example of a prefabricated house.

    photCL 402 (28014)

  • Front view of one story house, 1795 Beverly Drive, Pasadena. 1925

    Front view of one story house, 1795 Beverly Drive, Pasadena. 1925

    Visual Materials

    Street view of Pacific Ready Cut System at 1795 Beverly Drive. An example of a prefabricated house. The area immediately above the houses and trees has been whited out.

    photCL 402 (28019)

  • Houses under construction, Craig Avenue, Pasadena. 1925

    Houses under construction, Craig Avenue, Pasadena. 1925

    Visual Materials

    Street view of Pacific Ready Cut System houses under construction on Craig Avenue. Examples of prefabricated houses.

    photCL 402 (28015)

  • Image not available

    Pasadena. 435 Alameda. Front view of one story house. View of Pacific Ready Cut System

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Image not available

    Pasadena. 676 Bellfontaine. Front view of one story house

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Image not available

    Pasadena. 1052 Nithsdale. Front view of one story house

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402