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Pierce Arrow Series 33 runabout automobile with a man and woman, Pasadena. 1924



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  • Pierce Arrow Series 33 brougham automobile. 1924

    Pierce Arrow Series 33 brougham automobile. 1924

    Visual Materials

    Automobile parked in front of unidentified Spanish-style residence. A young man sits in the driver's seat while an older man with a cane stands beside the car with his hand on the back door handle.

    photCL 402 (25926)

  • Pierce Arrow Series 80 coupe. 1924

    Pierce Arrow Series 80 coupe. 1924

    Visual Materials

    Two door coupe parked in driveway of large residence with fountain in the foreground and mountains in the background.

    photCL 402 (25929)

  • Moon roadster. 1924

    Moon roadster. 1924

    Visual Materials

    View of the Moon roadster on a road in the countryside. A couple sits in convertible back seat behind the driver. The advertisement on the spare wheel covering reads "The man in the moon is satisfied - are you? Robert G. Maynard Pasadena".

    photCL 402 (26028)

  • Image not available

    Pasadena. 1015 Oak Grove Avenue. Pierce Arrow Series 33 runabout automobile of W. T. Kester, 1015 Oak Grove Avenue. Roadster automobile is parked in front of large Mediterranean-style residence with a man and woman (Mr. and Mrs. Kester?) at the entrance

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Image not available

    Pasadena. 1015 Oak Grove Avenue. Pierce Arrow Series 33 runabout automobile (of W. T. Kester 1015 Oak Grove Avenue). Automobile is parked in front of large Mediterranean-style residence

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

  • Image not available

    Pierce Arrow Series 33 brougham automobile parked in front of unidentified Spanish-style residence

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402