Strand Theatre, interior view, 340 East Colorado, Pasadena. 1924

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  Strand Theatre interior view, 340 East Colorado, Pasadena. 1924

  Visual Materials

  Ticket office and entryway to the Strand Theatre, 340 East Colorado.

  photCL 402 (25779)

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  Strand Theatre, interior view, 340 East Colorado, Pasadena. 1924

  Visual Materials

  View of the seating area of the Strand Theatre at 340 East Colorado. An organ sits at the foot of the stage for musical accompaniment.

  photCL 402 (25780)

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  The Radio Store, 564 East Colorado, Pasadena. 1929

  Visual Materials

  Interior of the Radio Store at 564 East Colorado. The room is furnished with cabinets for the radios, padded chairs and benches, and a sofa.

  photCL 402 (31989)

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  Strand Theatre, 340 East Colorado, Pasadena. 1929

  Visual Materials

  Street view of the Strand Theatre at 340 East Colorado, between Garfield and Euclid. The marquee reads "Now playing. "The Awakening" with Vilma Banky. Charley Chase in "Is everybody happy"." The adjacent businesses are the New York Hat Store and National Shirt Shop. Automobiles and a truck are parked outside on the street. The negative has been damaged.

  photCL 402 (31928)

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  The Radio Store, 564 East Colorado, Pasadena. 1929

  Visual Materials

  Interior of the Radio Store at 564 East Colorado. The room is furnished with cabinets for the radios, padded chairs and benches, and a small statue of Nipper, the RCA dog.

  photCL 402 (31987)

• Image not available

  Pasadena. Strand Theatre. 340 East Colorado. Interior view

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

  photCL 402