Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Visual Materials
This collection contains 430 albumen photographs by photographer Carleton E. Watkins that chiefly depict buildings, points of interest, and locales in Northern and Southern California in the 1870s and 1880s, as well as 223 card photographs by photographer Alfred A. Hart documenting the construction of the western half of the transcontinental railroad by the Central Pacific Railroad (CPRR) in the 1860s, which were later published by Watkins under his own imprint. Images by Watkins depict locations in Arizona and California including: Lake Tahoe, Los Angeles, the Mammoth Tree Grove, Paso Robles, San Bernardino, San Diego, San Gabriel, San Luis Obispo, San Pedro, Santa Monica, Soda Springs, Wilmington, and Yosemite, as well as views related to the Southern Pacific Railroad and of the Colorado River. There are a few images of Native Americans in Arizona and California, and several images related to trains and railroads. The photographs have been removed from the original album, which is a large leather album with brass bindings (Box 10). There are some handwritten identifications in the album pages, most likely written after if was received by the Library.
photCL 74
Visual Materials
A man is seen working on railroad tracks, with train cars lined up at the right.
photCL 435
Visual Materials
Image of a train on the Santa Monica Long Wharf in Santa Monica, California, with a horse-drawn wagon standing under the trestle.
photCL 555
Image not available
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
Visual Materials
A panoramic view of Santa Monica Canyon and wharf in Santa Monica. There is an open stretch, possibly a road, stretching across the width of the image, with one parked automobile and a few people on it. Beyond this open area are widely spaced buildings and a steep wooded incline. The Pacific Ocean is on the left, with a long pier extending from the land. A note written in white in the bottom left corner reads "Pierce 8021".
photCL 470 (028)
Visual Materials
A panoramic view of Santa Monica Canyon and wharf in Santa Monica. There is an open stretch, possibly a road, stretching across the width of the image. Beyond this open area are widely spaced buildings and a steep wooded incline. The Pacific Ocean is on the left, with a long pier extending from the land. A note written in white in the bottom left corner reads "Pierce 8027".
photCL 470 (029)
photCL 555