Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
This collection contains 430 albumen photographs by photographer Carleton E. Watkins that chiefly depict buildings, points of interest, and locales in Northern and Southern California in the 1870s and 1880s, as well as 223 card photographs by photographer Alfred A. Hart documenting the construction of the western half of the transcontinental railroad by the Central Pacific Railroad (CPRR) in the 1860s, which were later published by Watkins under his own imprint. Images by Watkins depict locations in Arizona and California including: Lake Tahoe, Los Angeles, the Mammoth Tree Grove, Paso Robles, San Bernardino, San Diego, San Gabriel, San Luis Obispo, San Pedro, Santa Monica, Soda Springs, Wilmington, and Yosemite, as well as views related to the Southern Pacific Railroad and of the Colorado River. There are a few images of Native Americans in Arizona and California, and several images related to trains and railroads. The photographs have been removed from the original album, which is a large leather album with brass bindings (Box 10). There are some handwritten identifications in the album pages, most likely written after if was received by the Library.
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Visual Materials
The Lukens Collection consists of 213 glass plate negatives and 242 film negatives created by Theodore Lukens, 1882-1903 and undated, that depict scenes in and around Los Angeles County, central California, and the Southwest.
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Visual Materials
The Lukens Collection consists of 213 glass plate negatives and 242 film negatives created by Theodore Lukens, 1882-1903 and undated, that depict scenes in and around Los Angeles County, central California, and the Southwest.
photCL 467
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Rare Books
This collection consists of railroad photographs, ephemera and publications, 1829-2010, with the bulk of material from the early- to mid-20th century. The focus is chiefly locomotives and trains (steam and diesel) of major railroads and interurban electric railways of the United States and Canada. Also represented in the collection are smaller shortline and narrow-gauge railroads; other foreign railroads; streetcars (or trolleys); and burgeoning light rail and subway systems. Most of the ephemera is printed material produced by railroad companies for promotional and business purposes, such as annual reports, brochures, route maps and guides, timetables, tickets, dining menus, stationery, stock certificates, bond coupons and other items. There are also many city and state tourist guidebooks describing sights along rail routes or promoting land available for farming, mining or home-building across the United States. Also included are items produced for or by railroad employees, such as instruction and safety manuals, train orders, freight bills and in-house newsletters. Railroad industry publications, statistics and reports can be found in the American Association of Railroads files, which are part of Donald Duke's subject files on railroad-related topics. Throughout the ephemera files are newspaper and journal clippings, often from scarce small press and trade publications such as The Railway and Engineering Review, The Railroad Gazette, The Santa Fe Magazine, The Western Railroader, Railway Age and others. In addition to railroad history, other topics of social and cultural historical interest in the ephemera are: Depictions of African Americans and Native Americans in mass-marketed train travel brochures. There are many examples that reflect American cultural and class stereotypes in the early- to mid-20th century. Selected files are noted in the container list. Occupational safety and health: See railroad worker safety manuals and accident prevention literature in ephemera files. History of food and drink: See numerous dining and beverage menus throughout Railroads and Foreign Railroads ephemera files (not always noted in container list). History of graphic design and typography: See examples of early- and mid- 20th century popular styles in printed ephemera throughout collection. Photographs and negatives: The photographs depict locomotives, freight and passenger trains, logging railroads, electric interurbans and streetcars across the United States. This was primarily a publishers file of ready-for-press photographs, which are almost all 8 x 10-inch black-and-white prints, made approximately 1950s-1980s. The photographs were made chiefly by various amateur train photographers, including Donald Duke, but most are uncredited. There are some copy prints (photographs of other photographs), and a few original photographs from the late 19th-early 20th century. Some photographs have locations and dates written on the back, but many are unidentified other than the name of the railroad. There are a few files on Ward Kimball (1914-2002), one of the original animators for Walt Disney Studios and an avid rail enthusiast. There are some photographs, biographical materials, and a file on his personal backyard narrow-gauge steam railroad, Grizzly Flats Railroad, in San Gabriel, California.
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Visual Materials
Photographs of the American West, dating from the 1870s to the 1890s, collected by Carl S. Dentzel (1913-1980), director of the Southwest Museum in Los Angeles, California, including a disbound album of photographs of Alaska taken by A. L. Broadbent. These views show Revenue Cutter Service ships and officers; Alaskan natives; towns; scenery; the fur trade and mission schools. Other notable photographs in this collection include portraits of John C. Frémont, Harrison Gray Otis, and John A. Sutter; a series of Lake Tahoe card photographs; and views of early western settlers around the time of the Oklahoma Land Rush of 1889. The collection also depicts Alaskan native graves; missionaries; walrus hunting; whaling ships; totem poles; officers in the U.S. Revenue Cutter Service; vacationers throughout California; the logging industry; Kingston, New Mexico; Greek Orthodox church buildings; the first grand jury in Nome, Alaska; James Gilchrist Swan; and a portrait of one of the collection's photographers, Alfred Lee Broadbent. Photographers who contributed to this collection include William C. Billington, Alfred Lee Broadbent, F. Davey, Edward De Groff, Charles D. Kirkland, D. S. Mitchell, C.H. Shaffner, Julius Ulke, and Raper James Waters.
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