Visual Materials
Lower Cascade, Near Long Side Track
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248. Lower Cascade, near Long Side Track
Visual Materials
This collection contains 372 stereographic photographs (including some variants and duplicates) by photographer A. A. Hart that document the construction of the western half of first transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. The collection includes all but seven of the original series, numbered from 1 to 364 by Hart (lacking 193, 323, 333, 358, 359, 362, and 364). The images chronicle the advancement of the railroad over 742 miles in California and the Sierra Nevada Mountains, Nevada, and Utah. The majority of the photographs are views of mountains, lakes, rivers, and forested areas (some with stumps from clear-cutting in the foreground), often with railroad tracks running through the center of the images. In addition, there are also images of locomotives, Chinese and other workers, equipment, bridges, tunnels, frontier and mining towns, construction camps, as well as some images of Native Americans, including Paiute and Shoshone Indians. The stereographs primarily contain Hart's own Sacramento imprint with series titles including: "Scenes in the Sierra Nevada Mountains"; "Scenes in the Valley of the Sacramento"; "Scenes in the Washoe Range"; "Scenes on the Humboldt River"; and "Scenes near Great Salt Lake". Interspersed in the collection are stereographs published without credit to Hart by Frank Durgan and Carleton E. Watkins.
photCL 184
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248. Lower Cascade, near Long Side Track
Visual Materials
This collection contains 372 stereographic photographs (including some variants and duplicates) by photographer A. A. Hart that document the construction of the western half of first transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. The collection includes all but seven of the original series, numbered from 1 to 364 by Hart (lacking 193, 323, 333, 358, 359, 362, and 364). The images chronicle the advancement of the railroad over 742 miles in California and the Sierra Nevada Mountains, Nevada, and Utah. The majority of the photographs are views of mountains, lakes, rivers, and forested areas (some with stumps from clear-cutting in the foreground), often with railroad tracks running through the center of the images. In addition, there are also images of locomotives, Chinese and other workers, equipment, bridges, tunnels, frontier and mining towns, construction camps, as well as some images of Native Americans, including Paiute and Shoshone Indians. The stereographs primarily contain Hart's own Sacramento imprint with series titles including: "Scenes in the Sierra Nevada Mountains"; "Scenes in the Valley of the Sacramento"; "Scenes in the Washoe Range"; "Scenes on the Humboldt River"; and "Scenes near Great Salt Lake". Interspersed in the collection are stereographs published without credit to Hart by Frank Durgan and Carleton E. Watkins.
photCL 184
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Near Lower Cascades. Columbia River
Visual Materials
This album contains typical commercial photographs of the towns and scenery of California, Oregon and Washington dating from the 1890s. Of note are early views of San Diego, Santa Barbara, San Luis Obispo, San Francisco, Tacoma, and Seattle. There are also views of California missions and coastal landscapes. The Oregon photographs are of scenery only. Photographs of California include San Diego; Casa de Estudillo in Old Town San Diego; Mission San Luis Rey, San Juan Capistrano, and Santa Barbara; Santa Barbara; San Luis Obispo; Confederate general James Longstreet's Los Angeles home; the Bellevue Terrace Hotel; various Los Angeles homes; Pasadena; Elias Jackson "Lucky" Baldwin's Santa Anita ranch; San Francisco city scenes; and wilderness en route to Oregon. Oregon photographs show images of the Columbia River; Mt. Hood; Latourell Falls; Multnomah Falls; and nature scenes. Photographs of Washington state include Tacoma; Green River; Native Americans from an unidentified tribe; Seattle; and Angeline, the daughter of Chief Seattle of the Suquamish tribe. Twenty-six of the pictures in this album were photographed by Isaiah West Taber and twenty-two were photographed by W.H.J. and Company. It may be that William H. Jeffers created those twenty-two photographs, as he was active in California during this time period. Other photographers who contributed to this album include Thomas H. Rutter, Charles B. Talbot, and Boyd & Braas (William F. Boyd and George H. Braas). The initials "E.B.R." and the year 1897 are embossed on the photo album's spine.
photCL 94
