Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
A white man and a Black man are standing on the locomotive, which is lettered with the name "Sam Cruse." The Black man is likely an enslaved person, based on the estimated year and location in the South. Samuel "Sam" Cruse (1796-1864) was an executive with the Memphis & Charleston Railroad, as was his son, Samuel Ridgely Cruse. Date of image based on year locomotive was built, in 1856 for the Memphis & Charleston Railroad Company.
(photDAG 48)
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Manuscripts
The collection consists of personal letters among the Townshend family members, business correspondence, land papers and deeds, financial accounts, bonds, receipts, Government and political material, legal briefs and court opinions, literary material including epitaphs, poems, prayers and travel accounts, military material, wills, marriage settlements, family account books and diaries. Significant correspondents include George III, George IV, William IV and Victoria, as well as many members of the Royal family. Political correspondents include 1st Earl of Chatham, W.E. Gladstone, George Grenville, Lord Palmerston, Sir Robert Peel, Spencer Perceval, William Pitt, the Duke of Wellington, and John Wilkes. Important note: although this material includes the years 1769-1865 there is only one letter which refers slightly to the American Revolutionary War and no letters or other material deal with the American Civil War.
mssTD
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Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
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Rare Books
90524:48
photCL 555