Visual Materials
B'nai B'rith Jewish Temple, Wilshire Blvd., Los Angeles, Cal
You might also be interested in
Image not available
The Warner murals in the Wilshire Boulevard Temple, Los Angeles, California
Rare Books
A history of the synagogues in Los Angeles of the Congregation B'nai B'rith, formally incorporated in 1873, focusing on a description of the Warner Memorial Murals by Hugo Ballin with which the Congregation's third synagogue, the Wilshire Boulevard Temple. !b The Temple was the first Jewish sanctuary to make extensive use of paintings. The paintings, gift of Mr. and Mrs. Jack, Harry and Abe Warner in memory of Milton and Samuel Warner, consist of three lunettes located on the north, east, and west sides of the building. The Creation Lunette represents the days of Creation according to the Midrashic point of view; the Eastern Lunette represents the Prophets, Priests and Rabbis of Old; the Western Lunette depicts the Messianic Age or the reign of peace and good will upon earth. The murals were executed on canvas in the studio of Hugo Ballin, and then brought to the Temple and attached to the walls.
610021
Wilshire Boulevard and Wilshire Christian Church, Los Angeles, Cal
Visual Materials
Image of buildings, automobiles, street, and traffic lights on Wilshire Boulevard as seen from the intersection of Irolo Street, with the Wilshire Christian Church at center left, in Los Angeles, California. Various signs on the boulevard read "Elise Helen excellent full course dinners" "KFAC," which is attached to the radio station transmission tower, the "Gaylord" building, "Standard Oil Products," "Standard Stations Inc." A double-decker tour bus, gasoline service station, and the Brown Derby restaurant are also visible.
photCL_555_06_1689
Image not available
B'nai B'rith Jewish Temple, Wilshire Blvd., ca. 1929 (year of dedication). Now called Wilshire Boulevard Temple
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
New Union Passenger Station, Los Angeles, Cal. ; Wilshire Boulevard, Los Angeles, Cal
Visual Materials
Two separate images of Los Angeles, California, consisting of a street view of the main building of Los Angeles Union Station at 800 North Alameda Street, with automobiles parked in front, above an elevated view of Wilshire Boulevard with the Town House Hotel building and Lafayette Park visible at right, and the Bullocks Wilshire building, with tower, at upper left, with a billboard for "Eastside Beer and Ale."
photCL_555_06_1683
Open-air drive-in theatre, Los Angeles, Cal
Visual Materials
Image of a drive-in movie theater in Los Angeles, California, with a woman standing on the corner at the intersection of West Pico Boulevard and Westwood Boulevard. The writing on the drive-in signs read "Drive-in theatre sit in your car see and hear talking pictures on the world's largest screen - California's first" "turn all lights out here" and "drive-in theater admission prices adults $.35 per person."
photCL_555_06_1624
Image not available
City of Los Angeles churches including Plaza Church; St. Vibiana's Cathedral; Fort Street Methodist Church; West Adams area churches; Churches along Wilshire Boulevard (including the B'nai B'rith)
Visual Materials
The collection consists of 3511 photographs, negatives and ephemeral items circa 1850s-1982 covering a wide breadth of subject matter. The collection includes images of Los Angeles streets and city views; neighborhoods (including Olvera Street, the Plaza, and Chinatown); Los Angeles office buildings and blocks, municipal buildings and facilities (including city halls, court houses, federal buildings, and postal facilities); Los Angeles County communities (including Culver City; Beverly Hills; Watts; Compton; the Hollywood/Cahuenga area; Mt. Washington; Redondo Beach; Hermosa Beach; Venice Beach; Santa Monica; San Pedro; Wilmington; Long Beach; Burbank; Glendale and the San Fernando Valley; Pasadena and the San Gabriel Valley; Avalon and Santa Catalina Island); San Gabriel and San Bernardino Mountains; San Diego, Orange, Riverside, San Bernardino, and San Francisco Counties; Los Angeles County homes, residential buildings, and gardens; Los Angeles parks; Los Angeles, Orange, and Riverside County schools, colleges and universities; Los Angeles County churches and synagogues; Los Angeles area country clubs; hotels and theaters in Los Angeles, Riverside, San Diego, San Bernardino Counties, and the city of San Francisco; and Los Angeles County department stores, newspaper buildings, storefronts, and restaurants. General subjects represented in the collections include industry and manufacturing (including iron and steelworks; brick and terracotta; the motion picture industry; and the clothing trade); agriculture; mining and other extractive industries; infrastructure (including dams and roads, and photographs taken for Caltrans documenting the construction of the Pasadena Freeway, also known as the Arroyo Seco Historic Parkway); water and power (including photographs depicting the irrigation of the San Fernando Valley in the 1910s); transportation; sports and leisure activities (including images depicting the 1932 Olympics in Los Angeles); fairs and expositions (including trade and industrial fairs; the Panama Pacific Exposition; the California Pacific International Exposition; the Lewis and Clark Centennial Exposition; and the Alaska-Yukon-Pacific Exposition); fiestas and parades (including the Fiesta de Los Angeles, the Fiesta de las Flores, and the Pasadena Tournament of Roses), circuses and circus wagons; missions in California, the Southwest United States, and Mexico; and California adobes and ranchos. Miscellaneous images include national and state parks; the California Gold Rush and mining towns; the armed forces in California; native and indigenous culture; local flora, including trees; unidentified people; unidentified scenery; documents; maps; and a small grouping of ephemera pertaining to the Wilshire Boulevard Miracle Mile. The collection includes photographs produced by 141 identified photographic studios, photographers, and publishers including Blanchard; Cromwell and Westervelt; Frasher's Studio; Garden City Foto; Harold W. Grieve, T.E. Hecht; William Henry Hill; Keystone Photo Service; Luckhaus; Charles F. Lummis; F.H. Maude; Harold Parker; Putnam Studios; F.H. Rogers; Julius Shulman; Spence Airplane Photos; Stagg; A. Sturtevant; Carleton Watkins; and "Dick" Whittington Studio. There are also photographs made by or for companies including American Trona Corporation; Douglas Aircraft; Estelle Mines Corporation; Metro-Goldwyn-Mayer; Paramount Pictures; Selznick International Pictures; Studebaker Corporation; Union Pacific Railroad; and United Artists. Images produced and compiled by the Federal Writers' Project Southern and Northern California branches include photographs by Viroque Baker, Horace Bristol, Burton Burt, Fred William Carter, Fred R. Dapprich, Luckhaus Studios, Julius Shulman, and Art Streib.
photCL 400 volume 1