House of Mrs. Nichols, San Diego

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  View from the Raymond, Pasadena, Cal. U.S.A

  Visual Materials

  Elevated view looking northwest over Pasadena, California, from the Raymond Hotel, with the dirt road of Fair Oaks Avenue running through the center and surrounded by fields.

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  Old Round House, South Main St., Los Angeles, Cal

  Visual Materials

  View from the street of the twelve-sided conical-roof house known as the "Round House," at 311 South Main Street in downtown Los Angeles, California, with an African American child leaning against the fence at left and a prickly cactus tree on the front sidewalk.

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  Newport Avenue and Guizot Street, San Diego

  Visual Materials

  Landscape view of residential streets and houses in San Diego, California, focused on the intersection of Newport Avenue and Guizot Street, with the house at 4506 Newport Avenue directly at center and the Pacific Ocean and Mission Bay visible in the background.

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  Mrs. Longstreet's av. of palms, Los Angeles, Cal

  Visual Materials

  View looking down a dirt road known as Fan Palm Avenue, lined with small palm trees, towards the residence of General Charles A. Longstreet (died 1877) near West Adams Street and Figueroa Street in Los Angeles, California.

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  W. H. Fletcher's ranch, San Fernando Valley

  Visual Materials

  View of a small wooden shack, young trees and two young men lounging in front, with open land all around them. The boys are possibly members of photographer William H. Fletcher's family. Fletcher also had a residence on Calumet Avenue in Los Angeles (see related item).

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  ["Ramona's house" - Casa de Estudillo, San Diego]

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.