Yale University rugby team

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  Officers Training School. 1st Company, Ft. MacArthur, Calif., Nov. 30, 1918

  Visual Materials

  Group portrait of U.S. Army soldiers in uniforms and holding rifles at Fort MacArthur in San Pedro, California.

  photCL 555

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  Fairmead baseball team, Thanksgiving, Fairmead

  Manuscripts

  Glass plate with a group portrait of the Fairmead baseball team. There are nine young men in roughly matching uniforms, with two men sitting on the ground and the rest standing. There are stands of spectators in the background, separated from the field by chicken wire fencing.

  mssLattaS, Box 112, Folder 5, Item 1

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  Rifle team in a park with tents

  Manuscripts

  Glass plate with a group portrait of a rifle team with tents and a horse-drawn cart in the background. The men are arranged in two rows, with 19 kneeling and 20 standing, and almost all of them are holding rifles. A few of the men who are not holding rifles are holding musical instruments. There are onlookers, mostly boys and men, standing in the background.

  mssLattaS, Box 111, Folder 6, Item 1

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  Edwin Powell Hubble (far left) with the University of Chicago basketball team, 1909

  Manuscripts

  Edwin Powell Hubble (far left) with the University of Chicago basketball team. Photographer: Martyn's Studio, Chicago. Hubble is seated at the far left of the photograph, and is accompanied by seven (7) unidentified men; six (6) other uniformed players and their coach. The player in the front row, center, is holding a basketball which reads "Intercollegiate 1909 Champions".

  mssHUB 1038 (4)

• Image not available

  Subseries E. Stanford University

  Visual Materials

  Photographs depict chiefly athletes engaged in sports, especially track and rugby; portraits of teams, including the crew team, and players; and scenes from games, including with the "New England All Blacks" team. One photograph shows a crowd watching a game at night, and one depicts an audience taking in a "Plug Ugly" show, a celebration featuring hats and performances that was a Stanford ritual from 1898-1915.

  photCL 222

• Image not available

  [Team of horses with wagon, in front of small buildings]

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.