Fanchon & Marco, Volume 15 | Collections | The Huntington

Fanchon & Marco, Volume 15 | Collections | The Huntington

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Fanchon & Marco, Volume 16
Visual Materials
29 album pages, each with thirty-six or more thumbnail photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from the late 1920s to the 1930s. The photographs were originally housed in a custom binder and comprise volume 16 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances. The thumbnails appear primarily to duplicate images found in the other volumes, in reverse order, with the last thumbnails on page 29 corresponding to the Circus images on page 97 of photCL 487 vol 2, and earlier pages corresponding to later volumes. The volume duplicates the images found in pages 1-29 of photCL 487 vol 15.
photCL 487
Fanchon & Marco, Volume 3
Visual Materials
103 album pages, each with four photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed around 1929. There is also one 8 x 10 inch group portrait of individuals including Fanchon Wolff and Marco Wolff, photCL 487 vol 3 (103). Identified photographers include Harry Wenger and Paralta of Los Angeles. The photographs were originally housed in a custom binder and comprise volume 3 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.
photCL 487
Fanchon & Marco, Volume 5
Visual Materials
58 album pages, each with four photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from approximately 1930 to 1931. Pages 1-39 contain four images per page; Pages 40-58 contain one image per page. Many of the photographs include the imprint of photographer Curt Fox of Hollywood, California. The photographs were originally housed in a custom binder and comprise volume 5 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.
photCL 487
Fanchon & Marco, Volume 2
Visual Materials
100 album pages, each with four photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from approximately 1926 to 1928. Identified photographers include Harry Wenger and Paralta of Los Angeles. The photographs were originally housed in a custom binder and comprise volume 2 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.
photCL 487
Fanchon & Marco, Volume 4
Visual Materials
89 album pages, each with four photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed around 1930. There is also one photograph of the show "Bughouse," dating from approximately 1933 (page 89). Identified photographers consist of Harry Wenger and Paralta of Los Angeles. The photographs were originally housed in a custom binder and comprise volume 4 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.
photCL 487
Fanchon & Marco, Volume 9
Visual Materials
85 album pages, each containing an 8 x 10-inch photograph depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from around 1931. Photographers chiefly unidentified; a photographs for "Ted Lewis" include the imprint of the White Studio of New York (page 66). The photographs were originally housed in a custom binder and comprise volume 9 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.
photCL 487