West Main St. Kingston, New Mexico

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  View of West Main St., Kingston, New Mexico

  Visual Materials

  Written on verso: "West Main St. Kingston, Lander County, Nevada. About 25 miles from Austin. Ghost town. Flourished from about 1864 to 1869. See History of Nevada, edited by M. Angel Thompson. West 1881 page 473." This appears to be a misattribution. Research shows that the town appears to be the mining town of Kingston, New Mexico, founded in 1882.

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  Kingston, New Mexico

  Visual Materials

  Photographs of the American West, dating from the 1870s to the 1890s, collected by Carl S. Dentzel (1913-1980), director of the Southwest Museum in Los Angeles, California, including a disbound album of photographs of Alaska taken by A. L. Broadbent. These views show Revenue Cutter Service ships and officers; Alaskan natives; towns; scenery; the fur trade and mission schools. Other notable photographs in this collection include portraits of John C. Frémont, Harrison Gray Otis, and John A. Sutter; a series of Lake Tahoe card photographs; and views of early western settlers around the time of the Oklahoma Land Rush of 1889. The collection also depicts Alaskan native graves; missionaries; walrus hunting; whaling ships; totem poles; officers in the U.S. Revenue Cutter Service; vacationers throughout California; the logging industry; Kingston, New Mexico; Greek Orthodox church buildings; the first grand jury in Nome, Alaska; James Gilchrist Swan; and a portrait of one of the collection's photographers, Alfred Lee Broadbent. Photographers who contributed to this collection include William C. Billington, Alfred Lee Broadbent, F. Davey, Edward De Groff, Charles D. Kirkland, D. S. Mitchell, C.H. Shaffner, Julius Ulke, and Raper James Waters.

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  A night photo of Main Street

  Visual Materials

  A night photo of Main Street, Los Angeles, showing hotels and other businesses.

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  Looking north from 9th and Main Sts

  Visual Materials

  View of the junction of Spring Street and Main Street, as seen looking north from 9th Street. An African-American man is riding in a wagon, leading a horse, and pedestrians and other wagons are in the street. Streetcar tracks are seen in the road. There is a two-story brick building at the center of the photograph, where Spring (left) and Main (right) meet.

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  San Francisco St., Santa Fe, New Mexico

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  View of a street in Santa Fe, with adobe buildings on either side and mules in the road.

  photCL 215 (58)

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  Fourth Street, west from Main St. Los Angeles. (Imprint no: 312)

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

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