Visual Materials
Indian camp. Blackfeet, Piegans, Saree, and Bloods
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"Indian camp. Blackfeet, Piegans, Saree, and Bloods
Visual Materials
A collection of glass plate and film negatives by amateur photographer and Los Angeles real estate broker George P. Thresher focusing on the American Southwest and Native Americans of the region, particularly of Arizona, and the Gila River crossing area, from ca. 1898 to 1910. The majority of the Thresher Collection contains images of towns and sites in Arizona, including Phoenix, Mission San Xavier del Bac, Montezuma Castle, Peach Springs, and adobe ruins. Photographs of Texas are well represented in the collection, including many views of Missions San Concepcion, San Antonio de Valero (the Alamo), San Francisco de la Espada, and Mission San Jose y San Miguel de Aguayo. There are also images of Colorado (Garden of the Gods, Pike's Peak, and Castle Rock), New Mexico (Santa Fe, Tesuque, and possibly Laguna), and unidentified pueblos. Notable portraits from California are of Victoriano, chief of the Soboba Indians, and his unnamed third wife. There is a separate and very interesting sequence of images depicting the Mount Beauty Mine and its operations in San Diego County, California. A small assortment of lantern slides is at the end of the collection showing Indians of Arizona, California, and New Mexico.
photCL 449
On the St. Lawrence : Indian encampment
Visual Materials
Image of an eye-level landscape view of a Native American encampment with a campfire, tipis, and canoes on the bank of the St. Lawrence River, with white men in two canoes on the water, and forested islands and mountains in the distance.
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Arapahoe camp near Camp Supply, Indian Territory. 1869. [(Belous): Indian encampment, 1868]
Visual Materials
This is a collection of mostly studio portraits of Native Americans from the Midwestern and Southwestern United States taken during the American Indian Wars. There are also views of their homes and camps on reservations. The photographs in this collection depict members of the Arapaho, Cheyenne, Comanche, Crow, Kiowa, Osage, and Wichita tribes during the American Indian Wars; Native American camp sites on Indian reservations; chieftains; a medicine man; native prisoners of war; native women and children; braves and their families; tipis; native families; and native scouts for the U.S. army. Notable portraits include Lone Wolf, Satank, Chief Stumbling Bear, and Chief Powder Face. William S. Soule is the photographer of the first 23 photographs, and Fred Miller is the photographer of the last two.
photCL 189
Tesuque, donkey outside dwelling
Visual Materials
Photo of a donkey standing near a native dwelling with native man sitting on platform.
photCL 449 (131)
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A dismantled Indian teepee [tipi], 1868. [(Belouse): Indian camp, 1869]
Visual Materials
This is a collection of mostly studio portraits of Native Americans from the Midwestern and Southwestern United States taken during the American Indian Wars. There are also views of their homes and camps on reservations. The photographs in this collection depict members of the Arapaho, Cheyenne, Comanche, Crow, Kiowa, Osage, and Wichita tribes during the American Indian Wars; Native American camp sites on Indian reservations; chieftains; a medicine man; native prisoners of war; native women and children; braves and their families; tipis; native families; and native scouts for the U.S. army. Notable portraits include Lone Wolf, Satank, Chief Stumbling Bear, and Chief Powder Face. William S. Soule is the photographer of the first 23 photographs, and Fred Miller is the photographer of the last two.
photCL 189
