Castle Rock

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  Pike's Peak Railroad: engine and car at Manitou

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  Beggar

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  Fredericksburg, 1863

  Visual Materials

  View of the city of Fredericksburg, Virginia. Multi-level wood buildings with windows in foreground and background. Railroad construction with unfinished track and wooden trestle. There is also a group of people in the middle of photo. This image similar to photCL 301 (24). Title on mount: Fredericksburg, 1863 Handwritten in upper left corner: No. 13.

  photCL 301 (23)

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  Castle Rock

  Visual Materials

  A collection of glass plate and film negatives by amateur photographer and Los Angeles real estate broker George P. Thresher focusing on the American Southwest and Native Americans of the region, particularly of Arizona, and the Gila River crossing area, from ca. 1898 to 1910. The majority of the Thresher Collection contains images of towns and sites in Arizona, including Phoenix, Mission San Xavier del Bac, Montezuma Castle, Peach Springs, and adobe ruins. Photographs of Texas are well represented in the collection, including many views of Missions San Concepcion, San Antonio de Valero (the Alamo), San Francisco de la Espada, and Mission San Jose y San Miguel de Aguayo. There are also images of Colorado (Garden of the Gods, Pike's Peak, and Castle Rock), New Mexico (Santa Fe, Tesuque, and possibly Laguna), and unidentified pueblos. Notable portraits from California are of Victoriano, chief of the Soboba Indians, and his unnamed third wife. There is a separate and very interesting sequence of images depicting the Mount Beauty Mine and its operations in San Diego County, California. A small assortment of lantern slides is at the end of the collection showing Indians of Arizona, California, and New Mexico.

  photCL 449

• Image not available

  Castle Rock

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

  photCL 555

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  Potomac Creek Bridge

  Visual Materials

  Military railroad bridge across Potomac Creek, Virginia, on the Fredericksburg Railroad. There is a military encampment on the hill in background of photo. The railroad track bends and runs to the foreground of photo. Title on mount: Potomac Creek Bridge. Handwritten in upper left corner: No. 5.

  photCL 301 (30)