Gold Avenue looking West, no. 138

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  Gold Ave

  Visual Materials

  View of storefronts on Gold Avenue, Albuquerque. Just right of center, below "...Parlors" a sign says "W. Cal Brown. Photographer." Brown had a studio on Gold Ave., ca. 1882-1889. Men stand along the boardwalk with horses nearby.

  photCL 215 (3)

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  Gold Ave

  Visual Materials

  View of storefronts on Gold Avenue, Albuquerque. Brown had a studio on Gold Ave., ca. 1882-1889. Men and women walk along the boardwalk with horses standing nearby.

  photCL 215 (4)

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  Second Street looking South, no. 136

  Visual Materials

  View of storefronts along street in Albuquerque. In view is a building marked "1881," signs that are legible say "Dentist," "Exchange," "Barr & Barr, attorneys at law," "Daily Democrat." Telephone poles are also in view.

  photCL 215 (6)

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  Beacon St. between 5th and 6th looking east, San Pedro

  Visual Materials

  A street scene with a dirt road lined with shops and people along the street. A man on a bicycle rides towards the viewer.

  photCL Pierce 05625

• Image not available

  [Three people looking at wall]

  Visual Materials

  This collection contains 71 lantern slides of primarily unidentified scenes including slides depicting people, children, scenery, and farming. Many of these scenes appear to be in the Southern California area, though there are a few from other locales including Canada and England. Among the identified slides are Mission San Gabriel; Champlain Monument in Quebec, Canada; a 1798 letter to the Maryland Free Masons; the steamship "Parisian" in Liverpool, England; Palmdale, California train station; the 1925 Santa Barbara earthquake; and Lucky Baldwin's Ranch in Arcadia, California. Photographers are not identified.

  photCL 518

• Image not available

  Union Square and 4th Avenue – looking North-east. [New York] (Imprint no: 7985)

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

  photCL 555