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Gambling board, Tulare tribe

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  • Kindergarten Set

    Kindergarten Set

    Visual Materials

    One boxed painting and drawing set entitled Kindergarten Set, ca. 1915. The set is comprised of two blind embossed painting cards for painting, three stencil cards, four embossed cakes of watercolor paint, a small pencil, and a metal paint mixing tray with 12 small, rectangular wells. The bottom of the cardboard box serves as the divided tray to hold the materials. The top lid is decorated with a chromolithograph of a young boy painting at an easel. The title is on the top lid. No manufacturer is named; no manufacture date is given. The two image cards are unpainted; the three stencil cards have been used; all are in good condition.

    ephKAEE

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    [Photograph advertising an automobile trailer camper]

    Visual Materials

    View of a man and woman modeling an automobile camper trailer with flip top and a small kitchenette. The woman is pouring the man a glass of milk and a dog is in the foreground. The word "Deluxe" is inscribed on the vehicle hubcap.

    photPF 20112

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    Vol. 2 Mendocino Coast Views

    Rare Books

    Watkins made these photographs in the fall of 1863, most likely on a commission from Jerome B. Ford, a major mill owner in Mendocino, California (Palmquist, p. 22). Views show lumber mills along the banks of Big River, Albion River, and Noyo River, near where they meet the Pacific Ocean. The coastal city of Mendocino is seen on top of a high beach cliff, and there are scenic views of ocean waves crashing against boulders. One river view shows men guiding a small ferry by holding a cable mounted across the river, and a log flume is seen suspended in the background. There is one view of Native Americans, possibly Pomo, seated in front of dwellings made from wooden planks. The house of "Mr. Chalfant" in the town, with a fenced yard, is the focus of another photograph, and there is one view of the Fort Bragg army post.

    379010

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    Photographs of Lake Elsinore and other California locations

    Visual Materials

    Four cabinet card photographs of Lake Elsinore: "Chaney's first house in Warm Spring Valley"; a small town on the lake (1884); "first house at Elsinore" with a well; scenic view of lake. Another card photograph in this folder: First Baptist Church of San Francisco by I. W. Taber. See also a daguerreotype of this image: photDAG 61. Other photographs are the following: images of drawings of San Bernardino in the 1850s; a photographic postcard of Point Hueneme Lighthouse (1943); copy photograph of Los Angeles Plaza and surrounding buildings by Francis Parker (approximately 1871-1875).

    photPF 1530-1539

  • Books without Words. (Volume First)--Color and Form

    Books without Words. (Volume First)--Color and Form

    Visual Materials

    One set of paper weavings created by Emily M. Coe, ca. 1880. The set is comprised of five "books," plus three loose "pages" of paper weavings "manufactured only by Emily M. Coe, New York, originator of American Kindergarten System." They are marked "No. 1"-"No. 4"; only the 5th book is unnumbered. There are a total of 23 paper weavings, four per book plus the three loose pages. Each "book" has its title on the bottom of the third page, such as "Primary Colors--Curvilinear Solids," the first part of the title refers to the four paper weavings, the latter, the printed objects on the reverse of each page. For example, Book "No. 1,", "Primary Colors--Curvilinear Solids" has one page labeled "Blue" showing two tones of blue woven together, and on the reverse a shaded ball; the next is "Yellow" showing yellow and black interwoven, on the reverse a shaded oval; the third is "Red" showing red and a russet color mixed, with a shaded cylinder; and the last page is "Mixed Primaries" showing color changes as primaries mix, and on the reverse a shaded cone. The other "books" are labeled: No. 2, "Secondary Colors--Rectilinear Solids"; No. 3, "Complimentary Colors and Quadrangles"; No. 4, "Tertiary Colors--Polygons"; and the fifth, "Mixed Tertiaries--Triangles". The fourth paper weaving in each of the books is somewhat different than the others. In Books 3-5 there are black and gold weavings entitled "Fancy", with the weavings from 4 and 5 spelling out the words "FOR MA" and "FOR PAPA" respectively. Also of note: in the corners of the first drawing image are trademarks in the upper right and left corners, on the bottom corners are reproductions of a medal, one side of which reads "International Exhibition, Philadelphia MDCCCLXXVI". "Miss Ida Young[?]" is written, in ms., on top of the unnumbered fifth book.

    ephKAEE

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    New Almaden Quicksilver Mine / Mendocino Coast Views

    Rare Books

    In 1863, Watkins was commissioned to photograph the New Almaden Quicksilver Mine near San Jose, California, by William Eustace Barron, a founding partner and San Francisco merchant. This group of 8 mammoth plate photographs depict the structures and works of the quicksilver (i.e. mercury) mine set among hillsides, including smelting furnaces, metal sheds, and paths leading to mine entrances. One view depicts about 40 workers at a quarry, including several adolescent boys posed with wheelbarrows. The miners’ community of small houses and wooden shacks is also seen in views titled "Hacienda" and “The Town on the Hill.” The Mendocino Coast Views Watkins made in the fall of 1863, most likely on a commission from Jerome B. Ford, a major mill owner in Mendocino, California. Views show lumber mills along the banks of Big River, Albion River, and Noyo River, near where they meet the Pacific Ocean. The coastal city of Mendocino is seen on top of a high beach cliff, and there are scenic views of ocean waves crashing against boulders. One river view shows men guiding a small ferry by holding a cable mounted across the river, and a log flume is seen suspended in the background. There is one view of Native Americans, possibly Pomo, seated in front of dwellings made from wooden planks. The house of “Mr. Chalfant” in the town, with a fenced yard, is the focus of another photograph, and there is one view of the Fort Bragg army post.

    RB 379010 : Vol. 2