Grace Nicholson standing in front of her store and home at 46 N. Los Robles, Pasadena, holding a basket

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  Grace Nicholson's store and home at 46 N. Los Robles Ave., Pasadena

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  Sign on house says "Old Curio Shop." A Spanish bell and porte cochere can be seen on the side of the house.

  photCL 56 (2792)

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  Grace Nicholson's store and home at 46 N. Los Robles Ave., Pasadena

  Visual Materials

  Side of house, with palm tree and several signs on the house and at the front of the lawn.

  photCL 56 (2798)

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  Baskets on steps of Nicholson's home and store at 46 N. Los Robles, Pasadena

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  photCL 56 (1446)

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  Bookshelves in Grace Nicholson's home at 46 N. Los Robles Ave., Pasadena

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  The room has books, framed photographs of Indians, Asian artifacts, decorative chest.

  photCL 56 (2843)

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  Grace Nicholson's library in home at 46 N. Los Robles Ave., Pasadena

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  The room has books, framed photographs, shelves of Indian baskets, curios and Asian dolls.

  photCL 56 (2842)

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  Boy standing in front of building, holding basket

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  This collection contains photographs of Los Angeles' Old Chinatown and portraits of its Chinese residents, most dating from the 1890s to the 1900s. Together there are 299 glass plate negatives ranging in size from 3 1/4 x 4 1/4 inches to 8 x 5 inches; an ornate photograph album containing 12 studio portraits of Chinese men and women; and six additional card photograph portraits. Some printed photographs have the imprints of professional photographers and a few of the glass plate negatives are credited to "Yee Photo, L.A. Cal." They may be connected to a photographer "Yee" who at one time had a studio at 510 North Los Angeles Street in Old Chinatown (see photograph Box 8 (1)). This could possibly be Wy Yee, a photographer working during the same time period. It is unclear if he took all the photographs or there was more than one photographer. There are two glass plate images of a photographer's storefront with a sign in Chinese that translates to Jinghua Photo Studio. Scenes in Old Chinatown include: street views of buildings and storefronts; Chinese and a few white people walking in the streets; the interior of a restaurant and three Chinese workers posing for the camera; two men on bicycles; the Chinese community participating in La Fiesta de las Flores parade; and other candid photographs of people in daily activities. Some buildings have store signs in English and Chinese. The majority of photographs are portraits of primarily Chinese sitters. Several are posed studio portraits of men, women, or children, wearing traditional Chinese or western clothing, with elaborate props and backdrops. Other portraits are simple head shots of Chinese men, one of which has the handwritten date "1902," the year that the Chinese Exclusion Act of 1882 was made permanent and required Chinese residents to register and obtain immigration documents. Other photographs include: three studio images of women showing bare shoulders, a Chinese woman posing in a sailor's uniform, and white tourists posing in traditional Chinese clothing. Photographer imprints on card photographs are: Bijou Studio, James Blanchard, George Dewey, J. H. Lamson Company, Michael A. Wesner, and "Yee," who may be photographer Wy Yee, all of Los Angeles. There is one portrait of a Chinese woman by William Shew, San Francisco. The China subseries consists of copies of photographs taken in China, including landmarks and scenes of punishment. Please note that this subseries contains historical images that library users may find harmful, offensive, or inappropriate. Miscellaneous photographs include images of Native Americans and a town in the Southwest.

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