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Visual Materials

Taos Pueblo, South



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  • Taos Pueblo, North

    Taos Pueblo, North

    Visual Materials

    Pool of water in front of pueblo.

    photCL 56 (1160)

  • South Pueblo of Taos. Showing part of ancient wall

    South Pueblo of Taos. Showing part of ancient wall

    Visual Materials

    View of pueblo with hornos in front of dwellings and a wall in the foreground.

    photCL 313

  • North Pueblo of Taos

    North Pueblo of Taos

    Visual Materials

    View of a pueblo with hornos in front of dwellings, and horses in the foreground.

    photCL 313

  • The water source for the pueblo of Acoma

    The water source for the pueblo of Acoma

    Visual Materials

    A man standing on a cliff above a pool of water, with the pueblo behind.

    photCL 312

  • Pueblo of Taos. Taos was formerly a walled town

    Pueblo of Taos. Taos was formerly a walled town

    Visual Materials

    View of Taos Pueblo.

    photCL 313

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    Taos Pueblo

    Visual Materials

    This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.

    photCL 56