Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.
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Visual Materials
[People at a picnic using electric camp stoves]
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Visual Materials
This collection contains photographs, negatives, and some ephemera chiefly collected by California conservationist and editor William H. Thrall (1873-1963) for use in Trails magazine. Thrall served as managing editor of the publication from 1934 to 1939, which was produced to encourage the use of mountain trails and outdoor recreation in Los Angeles County. The collection includes approximately 1200 prints (Boxes 1-4); 68 glass negatives (Boxes 7-8); approximately 2300 film negatives; 150 slides; and miscellaneous documents and ephemera, and a folding pocket camera. The photographs primarily date from the 1930s, but also include copy prints (and some originals) of late 19th and early 20th photographs. The images depict mountain and forested landscapes and outdoor recreational activities including hiking, skiing, and camping, chiefly in the San Gabriel Mountains and surrounding mountains of Southern California. Many of the photographs include individuals involved in recreational activities as well images of historical mountain pioneers. The photographs chiefly consist of 4.5 x 2.75 inch snapshots and 8 x 10 and 6 x 10 inch prints, by photographers including Dan P. Alexander, Carl H. Bauer, Harlow Dormer, C. C. Vernon, and Thrall. There is also a group of glass plate negatives and film negatives, including a group of unprinted film negatives that appear to be personal photographs with views of nature, groups of people, family scenes, buildings, boating, and trips, in the 1930s-1950s (Box 15). The film negatives have handwritten numbers presumably assigned by Thrall. Many of the prints appear in Trails magazine, which was published quarterly by the Mountain League of Southern California from Winter 1934 to Spring 1939 (Volume 6, No. 1). In Autumn 1941, the Southern California Outdoor Federation began publishing a new edition of Trails Magazine (without Thrall as editor), but only two issues were published (Volume 2, Nos. 1-2).
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Photographs made by Adam Clark Vroman, ca. 1892-1909, spanning various subjects, primarily his bookstore in Pasadena, California, and scenes from his travels. Of particular significance is Vroman's handwritten journal of a trip to see the Snake Dance at Walpi, Arizona, in 1895, written sequentially on the back of 19 mounted photographs. Vroman's traveling companions were Horatio N. Rust, Mrs. Thaddeus (Leontine) Lowe, and Charles J. Crandall, who are shown, along with Vroman, at pueblos, and traveling with supplies and wagons. There are also views of the Grand Canyon and the Petrified Forest. The California images include scenery and travelers in the San Gabriel Mountains, Mount Wilson, Mount Lowe and the Alpine Tavern, and travelers having a picnic; details of missions; historic adobes of Monterey; Rancho Guajome Adobe in San Diego County; Yosemite and one view of Indians living in Yosemite Valley. Locations depicted in other parts of the United States are: Manitou, Colorado; Oregon, Illinois; Niagara Falls; Grant's Tomb; a bird's-eye-view of Santa Fe, New Mexico; and other miscellaneous views. Vroman travelled to Japan in 1903 and 1909, and eight prints in the collection show Japanese men and women in traditional dress, as well as details of architecture. Vroman appears in a few photographs. There are several portraits of Pueblo Indian men, some identified in Vroman's captions.
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Visual Materials
Photographs made by Adam Clark Vroman, ca. 1892-1909, spanning various subjects, primarily his bookstore in Pasadena, California, and scenes from his travels. Of particular significance is Vroman's handwritten journal of a trip to see the Snake Dance at Walpi, Arizona, in 1895, written sequentially on the back of 19 mounted photographs. Vroman's traveling companions were Horatio N. Rust, Mrs. Thaddeus (Leontine) Lowe, and Charles J. Crandall, who are shown, along with Vroman, at pueblos, and traveling with supplies and wagons. There are also views of the Grand Canyon and the Petrified Forest. The California images include scenery and travelers in the San Gabriel Mountains, Mount Wilson, Mount Lowe and the Alpine Tavern, and travelers having a picnic; details of missions; historic adobes of Monterey; Rancho Guajome Adobe in San Diego County; Yosemite and one view of Indians living in Yosemite Valley. Locations depicted in other parts of the United States are: Manitou, Colorado; Oregon, Illinois; Niagara Falls; Grant's Tomb; a bird's-eye-view of Santa Fe, New Mexico; and other miscellaneous views. Vroman travelled to Japan in 1903 and 1909, and eight prints in the collection show Japanese men and women in traditional dress, as well as details of architecture. Vroman appears in a few photographs. There are several portraits of Pueblo Indian men, some identified in Vroman's captions.
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Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
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