Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Manuscripts
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
Publicity film introducing Pasadena Playhouse and describing its mission and history; film features an interview with Gilmor Brown. Approximately 29 minutes.
mssPlayhouse
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Manuscripts
Includes photographic portraits and some performance photographs depicting child actors, circa 1915-1930; film, television, and radio actors, circa 1920-1955; and actors and actresses posed for studio portraits, circa 1890-1930.
mssPlayhouse
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Manuscripts
Contains typescripts and research materials for ben Ali's unpublished writings about William Holden, Holden: Bill: A Memoir, parts 1 and 2 (1973-1974) and Bill: A Memoir of William Holden (1981-1982). Also includes a typescript of film scholar Martin Sopocy's unpublished biography of the actor, Actor in an Art Business: The Hollywood of William Holden (1977) and correspondence between Ben Ali and Sopocy, 1973-1982.
mssPlayhouse
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Manuscripts
Contains clippings and other materials depicting actors and actresses; Sterling is most prominently represented.
mssPlayhouse
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Manuscripts
The collection contains materials documenting the history and activities of the Pasadena Playhouse and its College of Theatre Arts. It includes approximately 15,000 photographs; 5,000 theater programs; 300 scripts; over 100 scrapbooks; 70 set and costume designs; and a few musical scores; as well as board meeting minutes; business records including ledgers, financial records, and correspondence; student catalogs, manuals, and yearbooks; curricular materials; newspaper clippings; theater periodicals; and various subject files. Also included are publications and business records from the Pasadena Playhouse Alumni and Associates, as well as a set of indexes (Series IX) and other research materials compiled by archivists at the Huntington Library (Series IVV). The materials date from approximately 1657-2013, with the bulk of the materials dating from the beginnings of the Playhouse in 1916 through its bankruptcy in 1969. Major areas of interest represented in the collection include the Playhouse Board of Trustees' meeting minutes and correspondence; correspondence and business records of Playhouse executives and administrators, including Gilmor Brown, Fairfax Walkup, and Lenore Shanewise; writings, photographs, scrapbooks, and clippings detailing various aspects of the Pasadena Playhouse's history; catalogs, photographs, and promotional and curricular materials documenting the School of the Theatre (later College of Theatre Arts), its students, and student life; performance photographs, theater programs, original set and costume designs, scripts and scores, and supplementary materials reflecting productions at the Playhouse's venues (Community Playhouse, Mainstage, Playbox, Workshop and Laboratory Theatres, Patio Theatre, and East and West Balcony Theatres) as well from various student, traveling, and special events productions; and the holdings of the Playhouse's library and museum. Along with Brown, Prickett, Walkup, and Shanewise, other key figures surfacing within the collection include Maurice Wells, assistant director of the Playbox; Charles Lane, actor in many Playhouse productions; Ralph Freud, a director at the Playhouse; Catherine Turney, a member of the School of the Theatre's first class who went on to become director of the Workshop; Dorothy Arzner, a filmmaker from the silent film era into the 1940s and cinema instructor at the Playhouse; Gail Shoup, a Playhouse staff director; Bobker Ben Ali, a writer and director whose productions included Manya: The Story of Marie Curie (circa 1938) and The People Win Thru (1952); Board chairs David Crandall and Earl Messer; and actors Maudie and Oliver Prickett, Charles Prickett's spouse and brother, respectively. The core records are strengthened by the complementary personal paper collections of directors, performers, and others associated with the Playhouse, including ben Ali; Graydon Spalding; Gail Shoup; and more (see Series VIII, Related Personal Collections). The collection features the work of photographers including Jerome Robinson, Jack Powell, Gordon Spalding, Kim Spalding, and A. E. Arnold, and the original set and costume designs of James Hyde; Jānis Muncis; Rita Glover, who was the first woman to be admitted to the Designers Guild of California; and Robert Redington Sharpe, among many others.
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Visual Materials
This collection contains photographs, negatives, and some ephemera chiefly collected by California conservationist and editor William H. Thrall (1873-1963) for use in Trails magazine. Thrall served as managing editor of the publication from 1934 to 1939, which was produced to encourage the use of mountain trails and outdoor recreation in Los Angeles County. The collection includes approximately 1200 prints (Boxes 1-4); 68 glass negatives (Boxes 7-8); approximately 2300 film negatives; 150 slides; and miscellaneous documents and ephemera, and a folding pocket camera. The photographs primarily date from the 1930s, but also include copy prints (and some originals) of late 19th and early 20th photographs. The images depict mountain and forested landscapes and outdoor recreational activities including hiking, skiing, and camping, chiefly in the San Gabriel Mountains and surrounding mountains of Southern California. Many of the photographs include individuals involved in recreational activities as well images of historical mountain pioneers. The photographs chiefly consist of 4.5 x 2.75 inch snapshots and 8 x 10 and 6 x 10 inch prints, by photographers including Dan P. Alexander, Carl H. Bauer, Harlow Dormer, C. C. Vernon, and Thrall. There is also a group of glass plate negatives and film negatives, including a group of unprinted film negatives that appear to be personal photographs with views of nature, groups of people, family scenes, buildings, boating, and trips, in the 1930s-1950s (Box 15). The film negatives have handwritten numbers presumably assigned by Thrall. Many of the prints appear in Trails magazine, which was published quarterly by the Mountain League of Southern California from Winter 1934 to Spring 1939 (Volume 6, No. 1). In Autumn 1941, the Southern California Outdoor Federation began publishing a new edition of Trails Magazine (without Thrall as editor), but only two issues were published (Volume 2, Nos. 1-2).
photCL 481
mssPlayhouse