Contains photographs, mostly later prints, of Gilmor Brown with others, in portraits, and in various roles Also includes two photographs from Brown's casting file. Also includes framed autograph of Francesca Janaushek, 1889, presented to Brown by actor Daniel Reed; buttons, tie clip, and shell (7 pieces); wallet and checkbook; Gilmor Brown Memorial plaque; and two sets of Crane's engraved bookplates, 50 plates each, with Brown's name on them.
Contains one fan; one hat; one directional sign; one class ring; a medal awarded by Paul Perigord to William Humphrey Fairchild for outstanding artistic ability; Gilmor Brown's nameplate; a metal fixture noting how many times a bell would be rung before performances; another metal fixture, dedicated to actor Victor Jory; and a button.
Contains awards and honors, 1951-1959; floor plans, undated and by unidentified architect; a broadside of Shakespeare and Shakespeare-related images, inscribed to Gilmor Brown by Mrs. H.D. Bentley, 1936, in appreciation of the Midsummer Drama Festival; one painting of Gilmor Brown in a kilt, undated, and one cartoon by Ernest Hix and Doug Hayes, 1948, celebrating Gilmor Brown. Also includes a 17th-century theater prop given to Gilmor Brown by Gareth Hughes: Indenture, used as Shylock's bond, 1687, accompanied by a label stating that this was stage property used in many productions of "The Merchant of Venice." Additionally, contains two copies of a banner advertising Pasadena Playhouse and its College of Theatre Arts, 1959; and portraits, including a photograph of Gilmor Brown's father, a photograph of Percy MacKaye inscribed to Brown, a photo depicting Bob Hope and Bing Crosby with a Pasadena Playhouse student, and photos of Elton Howard's portraits of Brown, Shanewise, Freud, and Wells, approximately 1925.
Includes cast list; clippings; correspondence; programs; publicity materials; photographs; production notes; Gilmor Brown's report about the event to the Board of Trustees; and reviews. Also contains a hand-painted guest book and a transcription of an interview with Brown regarding the production of this play.
Contains an address by Brown, The Drama of History (1937); address books, circa 1948-1953; brochures and announcements; marketing and publicity materials; clippings and articles relating to Brown's involvement with the Little Theater movement and theatrical organizations; photographs, including one of Brown standing outside of the Playbox (1930); Harriet Green's biography, Gilmor Brown: Portrait of a Man - and an Idea (1933); obituaries and tributes to Brown; ephemera; some personal correspondence; invoices and receipts from lodging and insurance; a memoir by Percy MacKaye and a World War II poster inscribed to Brown; and records of gifts.
Subseries A (Community Playhouse and Mainstage productions), Subseries B (Playbox productions) and Subseries C (Mainstage, Playbox, and Gilmor Brown) are from a collection previously known as photCL 327 or Album 327, compiled from the scrapbook series set described in Series II.
